The Connection Between Love and Beauty in Romeo and Juliet

In Romeo and Juliet, Shakespeare shows that young men often confuse beauty for love. This happens due to the fact that love and beauty are very closely connected. As George Boas says: “the ultimate object of love is the beautiful” (583). Confusing beauty for love is not good, and can even be deadly, as Romeo seems to have a habit for falling in “love” with beautiful women, and he dies in the end, out of “love”. Beauty can be a difficult concept. It changes over time and people have different opinions of what is beautiful and what is not.

In Shakespearean times, a woman was considered beautiful if she had pale skin, light hair, bright eyes, and red lips and cheeks (Leed). Women went to extreme measures to achieve these ideal characteristics, plastering their faces with white cream and covering their cheeks in rouge (Leed). A fully made-up woman in Shakespearean times would look rather ridiculous today, and even Shakespeare criticizes “ideal” beauty in one of his sonnets, Sonnet 130: My mistress’ eyes are nothing like the sun; Coral is far more red than her lips’ red: If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head.

I have seen roses damask’d, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak,–yet well I know That music hath a far more pleasing sound; I grant I never saw a goddess go, My mistress when she walks, treads on the ground; And yet, by heaven, I think my love as rare As any she belied with false compare. Shakespeare also shows in this sonnet that he does not love a woman for her beauty. He describes her as the opposite of ideal beauty at the time, and yet he still loves her.

Shakespeare’s sonnet is similar to Romeo and Juliet because Shakespeare is showing that beauty is not needed for love, and Romeo and Juliet ends in tragedy for Romeo; who sees beauty as love. Although Shakespeare does not find pleasure in his mistress’s beauty, the dictionary. com definition of beauty is “the quality present in a thing or person that gives intense pleasure or deep satisfaction to the mind…” Beauty is simply there to create pleasure (Robinson 74). One reason beauty is mistaken for love is because something can be so beautiful and cause such pleasure, that the pleasure can be mistaken for love.

Romeo mistakes beauty for love twice in Romeo and Juliet. The first time he is in “love” is in the beginning of the story. He is sad and moping around when his cousin Benvolio finds him and asks what is troubling him. Romeo tells of his “love” for the “fair” Rosaline. He mourns the fact that she has chosen to be chaste and will not have children to carry on her beauty: “O, she is rich in beauty; only poor that, when she dies, with beauty dies her store…for beauty, starved with her severity, cuts beauty off from all posterity. She is too fair, too wise, wisely too fair, to merit bliss by making me despair” (I. . 214-221). Benvolio tries to comfort Romeo with promises of more beautiful women for him to love. Benvolio also mistakes beauty for love. When the two later learn that Rosaline will be at the Capulet’s feast, Benvolio urges Romeo to go so he can compare her to other beautiful women: “Tut! You saw her fair, none else being by; herself poised with herself in either eye; but in that crystal scales let there be weighed your lady’s love against some other maid that I will show you shining at this feast, and she shall scant show well that now seems best. ” (I. ii. 96-101).

Benvolio turns out to be correct, as Romeo falls in “love” the second he lays eyes on Juliet at the feast: O, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night as a rich jewel in an Ethiop’s ear – beauty too rich for use, for earth too dear! So shows a snowy dove trooping with crows as yonder lady o’er her fellows shows. The measure done, I’ll watch her place of stand and, touching hers, make blessed my rude hand. Did my heart love till now? Forswear it, sight! For I ne’er saw true beauty till this night. (I. v. 45-54) Romeo forgets all about Rosaline, the reason he came to the feast in the first place.

He only speaks of Juliet’s beauty, which has pleased him so much that he thinks he is in love. Rosaline and her lesser beauty are never mentioned again. Juliet does not seem concerned whether or not Romeo is handsome. She never says anything about his looks, but she does speak of her love for him. She is also more guarded with her love. When Romeo first approaches her, asking for a kiss, she turns the conversation to prayer: “Good pilgrim, you do wrong your hand too much, which mannerly devotion shows in this; for saints have hands that pilgrims’ hands do touch, and palm to palm is holy palmers’ kiss…lips that they must use in prayer” (I. . 98-103). Although she does give Romeo his kiss, she keeps her feelings hidden as she leaves Romeo to go to her nurse. Her love is only revealed in the balcony scene, when she does not know Romeo is listening. She also makes Romeo swear he will be faithful to her before she will give him her love: “Dost thou love me? I know thou wilt say ‘Aye,’ and I will take thy word. Yet, if thou swear’st, thou mayst prove false. At lovers’ perjuries, they say Jove laughs. O gentle Romeo, if thou dost love, pronounce it faithfully” (II. ii. 90-94).

Juliet knows Romeo might be unfaithful, and she is trying to decide whether or not to give him a chance. Romeo then tries to swear by the moon, which is inconstant and changes every night. He is interrupted by Juliet as he begins to swear by the “blessed” moon that “tips with silver all these fruit-tree tops” (II. ii. 107-108). Romeo wanted to swear by the beauty of the moon, once again linking love and beauty. Juliet eventually stops trying to have Romeo swear and she expresses her dislike of how quickly their relationship is happening: “…I have no joy of this contract tonight.

It is too rash, too unadvised, too sudden…” (II. ii. 16-18). Juliet may love Romeo, but she still wants to progress slowly with him. She knows their families are enemies, and that it is dangerous for them to be together. Juliet never mentions if she thinks Romeo is attractive, as she is more concerned about Romeo being faithful to her; while even after Romeo discovers Juliet dead, he remarks on her beauty: “…Death, that hath sucked the honey of thy breath, hath had no power yet upon thy beauty. Thou are not conquered. Beauty’s ensign yet is crimson in thy lips and in thy cheeks…” (V. ii. 92-95). Romeo and Benvolio’s attitude towards love and beauty is very different from Juliet’s. The men love only beautiful things, while Juliet cares more about the emotional aspects of a relationship. While both Romeo and Juliet lose their lives, Romeo dies due to his false belief that Juliet is dead. He is tricked into killing himself. When Juliet kills herself, Romeo is actually dead. Romeo kills himself so he will not have to live without his beautiful Juliet, while Juliet kills herself to bring them together again.

Love of beauty is not good, as it can lead to death for the one who loves beauty and others who love the beauty lover. Works Cited Blomquist, Eric. “William Shakespeare (1564-1616). ” sonnets. org. 29 Oct. 2007. 28 Mar. 2009 <https://www. sonnets. org/? index. htm>. Boas, George. “Love. ” Encyclopedia of Philosophy. Ed. Donald Borchert. 2nd ed. Vol. 5. Detroit: Macmillan Reference USA, 2006. 583-590. Gale Virtual Reference Library. Gale. Pope John XXIII High School, Sparta, NJ. 9 Mar. 2009 <https://infotrac. galegroup. com/? itweb/?? db=GVRL>. Dictionary. com Unabridged. Vers. 1. 1. 22 Mar. 009 <https://dictionary. reference. com/? browse/? beauty>. Leed, Drea. “Elizabethan Make-up 101. ” Elizabethan Costuming Page. 2008. 15 Mar. 2009 <https://www. elizabethancostume. net/? makeup. html>. Robinson, Jenefer. “Aesthetics, Problems of. ” Encycopedia of Philosophy. Ed. Donald Borchert. 2nd ed. Vol. 1. Detroit: Macmillan Reference USA, 2006. 72-81. Gale Virtual Reference Library. Gale. Pope John XXIII High School, Sparta, NJ. 9 Mar. 2009 <https://infotrac. galegroup. com/? itweb/?? db=GVRL>. Shakespeare, William. Romeo and Juliet. 1960. Ed. Peter Holland. New York: Penguin Group, 2000.

How Does Juliet Change

Romeo and Juliet by William Shakespeare is a play in which my attitude towards one of the main characters changes many times throughout the play. The character who changes is Juliet herself. Shakespeare portrays the changes in Juliet well by use of language, imagery and key speeches. The first time we meet Juliet is when the nurse is reminiscing about Juliet’s childhood. From the nurses recollections of Juliet’s childhood I can gather that she is like a mother figure to her. Lady Capulet, Juliet’s mother, enters and asks Juliet how she feels about marrying a bachelor called Paris. Juliet’s response is, “I’ll look to like, if looking liking move: But no more deep will I endart mine eye than your consent gives” This shows us that Juliet is an obedient and dutiful daughter, as she will go to meet Paris because her parents have asked her to. It shows that she is something of a perfect daughter for her parents. She also seems very polite and well mannered towards her mother, almost as if she was a stranger to her. This effectively makes us think that Juliet is a good child who would never disobey her parents. Furthermore, we first see a change in Juliet when she meets Romeo at the Capulet ball. Romeo and his friends attend the mask ball without being invited. This is because it is being held by The Montague’s sworn enemy the Capulets. The masks help them to enter the ball unrecognised. Romeo does not want to dance or take part in any of the partying so he offers to be a torchbearer. This is because he is in love with a girl called Rosaline and his love for her is unrequited. The first conversation between Romeo and Juliet is a shared sonnet. The sonnet is unusual as it is shared mutually and usually the woman would be being adored and is silent as the man talked. Juliet answers back which is abnormal. It shows that she is equal to Romeo in terms of wit and intelligence. “ Romeo: Have not saints lips holy palmers too? Juliet: Ay pilgrim lips that they must use in prayer. Romeo: O then dear saint, let lips do what hands do They pray; grant thou, lest faith turn to despair” The fact that the sonnet is shared stresses that they will play equal parts in their relationship. Romeo is never the dominant member in the relationship. They will love and suffer together throughout their relationship. We see Juliet changing from the obedient, perfect daughter to an independent young woman who knows how to take care of herself. Moreover, we see further development in Juliet’s character when she is on her private balcony after the first time she meets Romeo. Juliet thinks she is alone but Romeo has climbed the walls of the family home and is listening into her conversation with herself. When Romeo is listening to Juliet thinking out loud he gets to know her true feelings towards him and the fact that she is prepared to give up her name to be with him. When Romeo finally shows himself the first thing Juliet wonder is how he got into the garden. He says that as long as Juliet loves him he can overcome any obstacle. He begins his elaborate praise of her again but she makes it clear that she would rather he spoke plainly and honestly.

The Tragedy of Romeo and Juliet

“The Tragedy of Romeo and Juliet”, written by William Shakespeare, is a play about two star-crossed lovers whose families are in a bitter rivalry. This feud results in the deaths of Romeo and Juliet. Parents and children are very different. Adults are stiff and children run on impulse; most kids stray from their parents’ way of life and go off on their own. Sometimes parents influence their children’s opinion on important matters. Many times this can be a good thing but other times its bad. Since often times children are easy to influence it’s not hard for them to inherit their parents’ way of thinking. Many times parents don’t realize that they have this effect on their kids. And though they don’t realize it, they are indirectly harming their kid’s ability to think on their own. Parents’ opinions about people can also be given to their kids. (Romeo III. I. 62-63) “Boy this shall not excuse the injuries that thou has done me; therefore turn and draw”. Romeo and Tybalt were persuaded to hate each other. Adults learn to love, children act on love based on impulse. Parents don’t know how to feel the effects of love at first sight. Children, however, do just that and that alone. Kids do not think; they feel. Most adults would be angered by such spontaneity and call it foolish. However, love is supposed to be something that you feel not think. Being stubborn, kids don’t like to take advice from parents on their love interest because they know that is love. “Exchange of thy love’s faithful vow for mine” (II II 127); Romeo and Juliet married after only knowing each other one night. Because Romeo and Juliet’s parents hated each other, they were forced to hide their marriage. Since Lord Capulet did not know of Juliet’s marriage she was forced to marry Paris. When Romeo killed Tybalt and was banished Juliet poisoned herself with a sleeping drug, so that she did not have to marry Paris. Romeo killed himself when he believed Juliet was dead. After, Juliet found Romeo dead and killed herself. This was all because of the feud between the two families. (IV I 71-2) “If rather than to will to kill thyself”. Because she hid her and Romeo’s marriage she had to “kill” herself; if their parents had gotten along none of this would have happened. The values of parents and children are very different. Although some believe are similar the tow worlds are completely different. The few times that parents and children agree, it leads to harm. In Romeo and Juliet’s case their parent’s hatred for each other drives the two to lying which eventually causes their demise. Its best to just have your beliefs and be different than parents.

Unrequited Love – Romeo and Juliet

Romeo and Juliet Essay Unrequited Love Love was always a monopoly. You never know whether someone really loves you or not. All you know is you love them.

That is what always makes unrequited love difficult. In Romeo and Juliet, unrequited love is present whether apparent or implied. Romeo falls in love with Rosaline and Paris falls in love with Juliet which remain the most obvious examples. However, I do believe their is an unrequited love between Juliet and her parents. When we first meet Romeo, he is infatuated by Rosaline (which he calls love), who happens not to be in love with him and plans to become a nun. Why, such love’s transgression. Griefs of mine own lie heavy in my breast, Which thou with propagate to have it pressed (I, i, 192-194)” Romeo in this quote proves his infatuation of Rosaline, not necessarily love. The following words show his “love” for Rosaline has added grief. However, the words he uses adds “sexual implications. ” Another quote that proves Romeo’s love for Rosaline would later take place in the conversation between Benvolio and Romeo: Well in that hit you miss. She’ll not be hit. With Cupid’s arrow. She hath Dian’s wit,

And, in strong proof of chastity well armed, From love’s weak childish bow she lives uncharmed (I, i, 216-219) In these rhyming couplets, Romeo talks about Rosaline and how he cannot win her heart especially since she wants to become a nun. Him not winning her heart becomes apparent when he says “Well in that hit you miss. She’ll not be hit. With Cupid’s arrow. ” To know Rosaline becomes a nun (which has an effect on Romeo winning her heart knowing she is dedicated to God) he says, “She hath Dian’s wit, And, in strong proof of chastity well armed. (I, i, 217)”

Dian: “the wisdom of Diana , goddess of chastity, who was opposed to love and marriage. ” (Dictionary Source Pg 22) Another example of unrequited love displayed in Romeo and Juliet is Paris’ love for Juliet. In the beginning of the play, Paris is chosen by Capulet to marry his daughter, Juliet. However, Capulet asks him to wait and win her heart before marrying her. This shows the maturity of Capulet (which is eventually terminated later in the book) and him wanting what is best for Juliet, which is not necessarily what she wanted, “But woo her, gentle Paris, get her heart; My will to her consent is but part. I, ii, 16-17)” As the play reaches the end, and Juliet fakes her death, Paris comes to see her himself carrying flowers, showing that he truly loved her, but she did not love him. Sweet flower, with flowers thy bridal bed I strew (O woe, thy canopy is dust and stones! ) …….. …….. …….. Nightly shall be to strew thy grave and weep. …….. What cursed foot wanders this way tonight, To cross my obsequies and true love’s rite? What, with a torch? Muffle me, night, awhile. (V, iii, 12-21) This contradictory quote proves Paris genuinely love Juliet, and is made clear when he says “true love’s rite. With depressing words used such as “weep,” “muffle,” and “tears,” it shows that Juliet’s death has had an effect on his happiness. Finally, the last example of unrequited love is displayed by Lord and Lady Capulet to Juliet. At many points in this play Juliet’s parents would be cruel to Juliet and not do what was best for her. Love was not shown, especially when Lord Capulet slapped Juliet after she said she did not want to marry Paris. Her parents never seemed to be there for her either, therefore she had to turn to the Nurse for parental influence.

Who loved who may remain a mystery, but it seems to fluctuate throughout the book, but they finally turn into be caring parents after it is too late. How, how, how, how ? Chopped logic? What is this? “Proud,” and “I thank you,” and “I thank you not,” And yet “not proud ”? Mistress minion you, Thank my no thankings, nor proud me no prouds, But fettle your fine joints ‘gainst Thursday next ……….. ……….. Out, you green-sickness carrion! Out, you baggage! ……….. (III, v, 154-162) This quote proved how cruel Lord Capulet was to Juliet. He disrespected her and disregarded her wants.

He criticized her and later slapped her. He forced her into doing something she did not want to do, showing how selfish he was. Hang thee, young baggage, disobedient wretch! I tell thee what: get thee to church o’Thursday, Or never after look me in the face. Speak not; reply not; do not answer me. My fingers itch, – Wife we scarce thought us blessed (III, v, 166-171) They question their blessing, Juliet, which shows they do not really care for her, because no parent would question whether their child was a blessing. Well, a good parent would not.

In conclusion, Juliet and her parents, Paris and Juliet, and Romeo and Rosaline all experienced unrequited love in the play Romeo and Juliet. Whether obvious or not, they are there and continue throughout the book. Unrequited love put the play into twists and turns, making it a lot harder for the characters to cope with their problems. The events unfolding in this play continuously prove, love is a monopoly, you never know how much you are going to get. All you know is, it is out there. Works Cited Shakespeare, William. Romeo and Juliet. New York: Folger Shakespeare Library, 1992. ———————– Romeo and Juliet Essay Unrequited Love

Literary Devices in Romeo and Juliet

Romeo and Juliet is a mandatory part of a 9th graders English Curriculum, meaning 4 million students will read and evaluate one of William Shakespeare’s most famous plays each year. Romeo and Juliet is required in schools across America and even Canada so students can learn Old English while reading a beautiful story where challenging literary devices are used. William Shakespeare’s Romeo and Juliet uses metaphors, symbolism, and dramatic irony to create more meaning in this play, initially generating a more poignant story for readers throughout America.

Shakespeare’s Romeo and Juliet uses metaphors to compare unlike things, causing great thought and analysis throughout his work. An example of a metaphor used in Romeo and Juliet is “As I hate hell, all Montagues, and thee,” (Shakespeare 1.1.72). Tybalt is comparing hell to all of the people with the name Montague, especially Benvolio, saying how he hates them all as much as he hates hell. Another use of metaphors in Romeo and Juliet is when Romeo says “It is the East, and Juliet is the sun,” (Shakespeare 2.2.3). Here Romeo is calling Juliet the sun, saying how bright and glorious she is in his eyes. Metaphors are just one of several literary devices used in Shakespeare’s Romeo and Juliet. Romeo and Juliet by Shakespeare uses sybolism as a way of expressing more than what is being said by the characters, causing readers to stop and think about his words.

An example of symbolism used in the text of Romeo and Juliet is “Where underneath the grove of a sycamore,” (Shakespeare 1.1.123). The tree in the forest symbolizes isolation in this scene. Romeo is by himself lamenting about how he cannot be with Rosaline, causing a great deal of sadness for Romeo. Symbolism adds more thought to the process of what is being said, for example, “Give this ring to my true knight,” (Shakespeare 3.3.156). Juliet is telling Nurse to give her ring to Romeo as a sign of her love for him, even if he brutally killed her cousin Tybalt hours before. Symbolism is such an important literary device used in Romeo and Juliet, it adds more value to ordinary objects and leaves readers on the edge of their seats throughout the play.

In Shakespeare’s Romeo and Juliet dramatic irony is used to increase the magnitude of emotion and energy in the audience by having the characters know less than the patrons do. Dramatic irony is a very common literary device used in Romeo and Juliet, an example is “Marry, my child, early next Thursday morn,” (Shakespeare 3.5.127). Lady Capulet is clueless about Juliet’s marriage to Romeo, causing quite a problem throughout this piece of work, making the audience even more intrigued by the oblivious characters. Another example of dramatic irony in Romeo and Juliet is on Juliet’s and Paris’ wedding day, “Come, is the bride ready to go to church?” (Shakespeare 4.5.39). Friar Lawrence and the patrons know that Juliet has drunk a potion to get out of this marriage, while everyone else thinks she is dead, causing a huge disturbance throughout Verona.

Her parents are mourning her death while Friar is waiting for her true lover Romeo to rescue her from her terrible life. Dramatic irony is another crucial literary device used in Romeo and Juliet, causing the most conflict throughout Shakespeare’s work. In Romeo and Juliet, by William Shakespeare, there are multiple significant literary devices used including metaphors, symbolism, and dramatic irony, which all help bring a very moving story to 9th graders in America. Metaphors, symbolism, and dramatic irony are very important literary devices used in Romeo and Juliet. They have also been used in countries around the world throughout history. These three literary devices are a very crucial part of William Shakespeare’s Romeo and Juliet. They are scattered throughout this significant piece of work, helping the author tell a touching story to all of its readers since 1595.  

The Control of Fate in and on Romeo and Juliet

 Whether the entire universe composed of its brilliant cosmos and artful living beings are all wound into an intricate pattern of fibrous fates and compassion is beyond present knowledge, but the power and influence this abstract concept has on the worldly desires of humans is unimaginable. Fate is felt like an ornate cloak of unknowing over their heads and drives them to do the unthinkable as they strive to escape it or manipulate it, rather than disregarding its existence. The effects of this supposed cloak are felt on Romeo and Juliet in Shakespeare’s classic play Romeo and Juliet as they feel its pressure on their love, and their response to this pressure is to be impulsive, befitting their teenage personas.

Having been born in the midst of a powerful feud between the two leading families of Verona, the Montagues and the Capulets, an interpersonal relationship between the two of them had been a cruel trick from the start.

The effect of fate on love, conveyed through Romeo and Juliet, expresses the theme that fate’s influence exhibits control over human happiness, which can be achieved by feelings of love. Throughout the play, allusions to the lovers’ unfortunate end are made and the probable preordained demise waiting ahead of them stimulate the characters to generally exhaust their own happiness. In the prologue of the play, the Chorus foredooms, “From forth the fatal loins of these two foes / A pair of star-crossed lovers take their life” (1.Prologue.4-5). Shakespeare introduces fate as an antagonist to their love from the beginning through the term “star-crossed.” This references the stars, a metaphor to fate in accordance with their belief that the stars dictated fate. Since Shakespeare chooses to start their story with their cursed end, the main purpose of the story is not to be a tragedy or drama for the audience to empathize with, but rather an insinuation to how fate influences day-to-day decisions and a warning for the audience that they should break free of the binding mind control of fate as to not end up unhappy like Romeo and Juliet.

He uses love as a metaphor for happiness to this end, since Romeo had said, “Some consequence yet hanging in the stars / Shall bitterly begin his fearful date / By some vile forfeit of untimely death” just prior to him meeting Juliet, his love (1.4.109-110, 113). Again, stars are referenced as Romeo discusses his bad luck. The young age of Romeo and Juliet serves as evidence that when young in age, the contingencies of the future looms since later years in life are usually dictated by the choices made early. Their choice was to love each other, but due to the crushing pressure of possible doom, they rushed into reaching a permanence to their love (through immediate marriage) in the name of good luck and jeopardized their happiness. The start of fate’s unsympathetic trials began with Mercutio where Romeo and Juliet’s overarching conflict of feuding families came into play. As a result of the said feud, Mercutio is stabbed in a duel and dies, cursing the families immediately before, “I am hurt. / A plague o’ both your houses! I am sped” (3.1.87-88). He wishes doom, spelling out the tragic fates of Romeo Montague and Juliet Capulet.

The death of Mercutio intensifies acrimony between the families and worsens the lovers’ situation. Through constant reference to fate and impending death, Shakespeare creates an atmosphere of expectancy for pain. However, as they actually reach said pain, the audience sees Romeo and Juliet attempt to lash out at their fate, albeit severing happiness from themselves in favor of choosing a cause. Romeo and Juliet’s attempts to dissent their fates of doomed love transcend their will to live and for the purpose of being with each other at least in death, they kill themselves as an act of damning fate. When Romeo is misinformed of Juliet’s death and does not hear that she is actually alive, he swears he will defy fate, “Is it e’en so? Then I defy you, stars!” (5.1.24). Pursuant to his swear that he would rebel against fate, he enters Juliet’s tomb and right before drinking poison and killing himself, declares,“…Oh, here / Will I set up my everlasting rest, / And shake the yoke of inauspicious stars / From this world-wearied flesh…” (5.3.109-112). Again, he references the stars and conveys how he lets fate sway him into impulsive behavior, as Juliet wakes up moments after his death. Romeo feels trapped by his fate as a Montague in love with a Capulet and decides to end his fate by killing himself by her side. One can assume that he lost sight of happiness and pursued love as became his fate as a romantic yet tragic lover boy who paid too much attention to a seemingly negative fate defined by vehemently opposing families. Romeo and Juliet ends with both lovers dead and the families willing to rekindle peace after seeing the effects of their feud on the fate of those who are blind to love.

Thus, the fate of Romeo and Juliet ends in their demise, as per fate’s influence on young minds. Noteworthily, the happenstance of Romeo and Juliet’s love and fate could have been a small passageway of the anthill known as the history of Verona, a small hole on their part but just a part of the story of a time that goes on.

However, their individual end shows the influence of fate on humans, the control the notion itself has on whether humans can be happy about their station in life. The love they express for each other in relation to their choices conveys the complexity of how love achieves happiness and its strange relationship with fate. They suggest that perhaps, love is the fate of all that seek happiness because the love of things, people, and/or places can measure happiness. For Romeo and Juliet, their love for each other was so great they were content with giving up other happiness and ended their lives knowing love was enough solace to their fate. 

Romeo and Juliet Parody


  • 1 Introduction
    • 1.1 Citations


Shakespeare can be fairly regarded as one very tough writer to read and understand. According to the New York Times, “The Oregon Shakespeare Festival has decided that Shakespeare’s language is too difficult for today’s audiences to understand.” (Gonchar 1) This Statement to an extent is true solely because Shakespearean writing can either be exciting or boring depending on the way it is taught to you . In my own opinion , Shakespeare’s work is what, you- as a reader, make of it .

Throughout the course of the year , We (as students) have been given the gracious opportunity to be taught Shakespeare in a way that , in my own opinion, has been the best way ever taught to me. From the very first day, I knew that this class was going to expose me to Shakespeare (or Shakesy as we could call him) in way that I had never known . Along with our amazing professor , Mrs. Coon , we read , analyzed , and deciphered the true meaning of Shakespeare’s puzzle of a play , Romeo and Juliet . From understanding how the play goes farther than just love , to how to most minute characters had the largest impact and influence to the tragic death that overcame “the two star crossed lovers” (prologue) ,we truly engulfed ourselves into understanding this difficult play in a much deeper way.

It’s been an amazing journey and I truly feel that we’ve been challenged every step of the way to step out of our comfort zone, but the largest challenge we’ve been given has been to modernize the infamous play in our own way. Throughout the last couple years , many movies or shows have been made that parodize or modernize a few of Shakespeare’s plays. A few examples of these would include Sons of Anarchy (portraying Hamlet) or Romeo + Juliet (obvious) . In order to really test our ability and understanding of the entire play, we’ve been challenged by Mrs. Coon to create a parody of Romeo and Juliet , containing the same characters , with a different setting and any outcome. Our choice in a parody consisted of modernizing the play in a giant favorite amongst adults, the infamous Jersey Shore. It was truly a hectic ride , but in order to show that we fully and truly understood the play , this is how we executed our parody.

To begin , I feel as though we need to give a sort of synopsis or summary as to what show we were using in order to interpret the play as a parody. As already stated we decided to use the famous and entertaining reality show , Jersey Shore. According to IMdb ,” Jersey Shore is a reality-based look at the vapid lives of several New Jersey 20-somethings and their respective friends and/or hook-ups” The show throughout its many seasons contains a multitude of characters but we decided to focus on only a select few. As the title of the show suggests, the setting takes place at none other than the Jersey Shore.

What we did as a group right off the bat was figure out what we would title our parody , and instantly knew that the perfect title would be The Verona Shore. This title would also represent the setting of the parody itself. Second we had to take into consideration that the whole basis of Romeo and Juliet would have to be the grudge that has haunted the family for an ancient amount of time. In terms of Jersey Shore, creating drama or any sort of underlying issue really isn’t the problem since most of the show consists of just that, issues and drama. We had to incorporate the importance of the preserving the characters while still acting in this new version of the play. We decided to go with the very well known fight scene from the show as the basis for our entire parody since fighting was very prominent throughout all of shakespeare’s play. We begun by showing the two houses living together under one roof in Verona.

It’s been a few years since the drama from the play so the characters we included in our parody were Romeo, Juliet , Rosalina , Tybalt , Benvolio , and Mercutio. There wasn’t much difficulty in terms of creating the characters, but rather preserving each characters persona in each and every scene in order to have a sense of consistency throughout the entirety of the show. Our characters aren’t much different from that of the actual play, they just have a hint of Jersey to them .

In the parody I ended up playing as Juliet, which to an extent was difficult. We as a group tried to keep her independent and irrational mind intact throughout so there’s still that aspect of Juliet, but added in the loudness and irritating traits of Sammie. We tried to incorporate as many of the originals plays lines within our characters, such as my part (juliet) using the well known line “ A Rose by any other name would smell as sweet and b**ch im that rose” with a very clear twist to it. In addition what also does made things fairly more easy is in terms of keeping my character Juliet as identical to the original play was the fact that Sammie is deeply in love with Ron , but at certain moments does have a sense of clarity as to how bad of a boyfriend he is. Juliet (in the parody), when being compared to Sammie, is deeply in love with Rom in our skit, but also does show some sense in clarity as to his actions . She questions if the love is ok and if she should continue progressing through with the relationship. Continuing on , Tybalt was also a character that stayed relatively the same throughout the course of the parody since he carries over the grudge he has from the play.

Ty in our skit has a big hatred towards Rom which is very apparent in our fight scene. This scene in our skit shows how even after the play , there is still a large grudge amongst The Capulets and The Montagues . “The immoral pasado , The Punto Reverso”(A2S4) had everything needed in order to get his jersey side out in our parody. One detail in our characters and script that I do feel I can note as a major difference is Rosalina’s personality trait.In our parody she could be considered as being an instigator of problems. In the play Rosalina wasn’t heard much aside from going into a nunnery and having a relationship with Romeo before Juliet.

The reason as to why we made Rosalina this way was due to the fact of drama being needed within what we call The Verona House. Rosalina These are only a few examples of the characters and their interpretations of the play , but throughout the acting , we had a good amount of struggles that made the actual execution of the parody a bit difficult. Trying to incorporate the original lines of the play was to an extent difficult to do since its alot harder to modernize or include such elaborate speech in a modern way or form. This now brings up the point in which how adapting the parody itself was difficult.

Adaptations in today’s modern era are always going to be difficult to interpret or perform due to the fact that everyone has a different view point, or could have a completely different understanding of a Shakespearean play. The reason that adaptations are very important is because it is the simplest form of expression to give a sort of understanding of Shakespeare’s writing to today’s audience . Since the raw text can quite often just be too difficult for many to comprehend , you can say that many people struggle with reading the play. This is mainly because the play itself was meant to be acted rather than read. You can quite possibly blame the difficulty of reading the play on Shakesys wordplay and his ability to create a confusing flow of words in his lines in his famous sonnet style.

According to Wordplay in Earliest Shakespeare , “Any discussion of wordplay needs to define its terms, however difficult that may be”. This is explaining that throughout any aspect of Shakespeare’s writing, it is necessary to have some sort of definition or understanding of the writing itself in order for the main ideas to be fully grasped . Modern day adaptations are in a sense , a portal to the meaning of the original plays. These performances/movies/shows can all portray shakesys plays in such a subliminal way that even on some occasions, the audience won’t even catch the reference ! A good example of how interpretations can truly go over one’s head is the comparison between Hamlet and the very popular television series , Sons of Anarchy. The show contains many characters ,but the comparison begins with Jax Teller. Jax was the son of the President of the motorcycle club , The Sons of Anarchy. His father passed away in a biking accident but here lies the beginning of the comparison. If you are in any sense familiar with Hamlet,then you’ll know how that the actual reason Hamlet’s father died was due to his evil brother , Claudius. The case is the same in this television series, in which the real reason Jax’s Father died was due to his best friend Clay (notice the resemblance in names?) pulling the brakes from his bike. Other notable characters which can be compared to those in the original play are Opie who is considered the bestfriend of Jax . The weird catch is that Opie is considered to be interpreted as ophelia ,just that clearly he is not the lover of the main character .

This interpretation is viewed as an attempt to show that love can come in many forms. Jax and Opie both lost their fathers which pushes them over the deep end to seek vengeance and do anything in their power to achieve that goal. Next up you have Juice Ortiz, who is a direct representation of not one but two characters from the original play, Rosencrantz and Guildenstern. Juice was a very close friend of Jax until he betrayed the club and ratted them out to the police as a “mole” or a rat. This betrayal of the main character is the very reason for their direct comparison and death. In a quote from the article ‘Sons of Anarchy’ vs. ‘Hamlet’ , by Kelly Schrempf, she states “Anyone who’s the least bit familiar with this classic Shakespearean drama knows that it’s full of lies, betrayal, and bloodshed — otherwise known as the three key ingredients to any SoA episode. Death is practically SAMCRO’s bread and butter, and if SoA is a true reflection of Hamlet , that means barely anyone will make it out of this show alive.” which is true to every extent. As any tragedy written by Shakespeare, your most beloved characters will always die .

The Show obviously ends with Jax ultimately killing his Clay and avenging his father John. Romeo and Juliet when compared to adaptations however , is a different case. As stated in the article by Arts and Culture ,”Of all Shakespeare’s plays, perhaps Romeo and Juliet best lends itself to modern adaptations. After all, the essence of the play is about eschewing conventions – youngsters in thrall to their passions rebelling against the customs of their parents and society.” . The play itself is easy to adapt in a modern era today since many young adults can sympathize and relate to the struggles of “love” at a young age.

You can clearly look at the movie Romeo + Juliet if you’re familiar with the play and notice how the modern adaptation of the play is so similar to the original text yet contains small differences. One small example of a difference in the movie and the play could be the way that the two lovers die in the finale. In the play the death of Juliet begins with her finding Romeo dead and cold beside her , where in the movie , Juliet wakes up with enough time to find romeo still partially breathing as he progresses to die in her arms. Also due to the modernization, Juliet uses a Gun to kill herself rather than a dagger.

Another notable difference could be the scene with mercutio before the Capulet party. In the movie the teens pop some pills resembling ecstasy where in the movie , they got drunk with liquor. Of course there are many changes to the way the acting is executed and changed to make it seem more like an actual parody or comedy movie, but the central idea and characters all stayed the same throughout the movie. Jersey Shore is the type of show that can contain almost every aspect that is found within the play , from everything like love to the very grudge that haunts the play. Majority of these characters were able to be adapted and fitted to make a good adaptation. In a article I read by Gretchen Turonek , she states that a good adaptation contains “Faithfulness to the source material, be it in terms of plot, theme, tone, etc” which is true in our parodies. We tried to keep the raw plot , theme and characters as original yet different as best as we possibly could.

There were times where we all sort of doubted how far we would actually go in terms of being able to actually create a good parody since we all worked or went to school for other classes throughout the week. There were times were we would have to wake up at 6:00am to be ready and at Gabby’s house by 7:00 – 7:30 am to record up until 12 on a weekend when we would all have to work full shifts right after. At the beginning I was very unsure as to how far my group was actually capable of going with this project, Especially losing a team member and gaining 2 half way through . I firmly believe that each and every one of us built and created friendships through this on project through all our laughs and arguments as to how we should portray our parody . In the end, our teamwork and commitment was used to actually push ourselves through every work day in order to get things done .

This perseverance really helped us in order to accomplish this super irritating yet pleasing project. As I stated in the introduction, this form of learning Shakespeare was unlike any that I had previously experienced. Mrs. Coon truly went out of her way to ensure that each and everyone of us was getting the most of out of the class and truly understanding every aspect of Shakespeare’s amazing form of writing. Day in and day out , whether I was late or on time , I always found a sense of happiness in being in a class with a professor as dedicated as Mrs. C and having such a strong Verona Shore Cast. It’s been an amazing journey ,and I truly feel that we’ve been challenged every step of the way to step out of our comfort zone. From revamping and parodizing such a famous play into a now very popular tv show, it was truly one of the funnest things I could have possibly done and experienced. The Verona Shore is always something I’ll remember.


  • Stoker , Gill. “Shakespeare: Our Contemporary?” OpenLearn, The Open University, 27 Oct.2005,
  • Gonchar, Michael. “Is Shakespeare Too Hard?” The New York Times, The New York Times, 14 Oct. 2015,
  • Shakespeare, William, and Dympna Callaghan. Romeo and Juliet: Texts and Contexts. Palgrave Macmillan, 2003.
  • Entertainment, MTV. “Jersey Shore.” Jersey Shore, season 3, episode 1, 10 Feb. 2011.
  • “Jersey Shore.” IMDb,, 2012,
  • Schremph, Kelly. “’Sons of Anarchy’ Vs. ‘Hamlet’.” Bustle, Bustle, 13 Nov. 2018,
  • BRUSTER, DOUGLAS, and NELL MCKEOWN. “Wordplay in Earliest Shakespeare.” Philological Quarterly, vol. 96, no. 3, Summer 2017, pp. 293–322. EBSCOhost,
  • Romeo + Juliet. Dir. Baz Luhrmann. Perf. Leonardo DiCaprio and Claire Danes. DVD. Twentieth-Century Fox, 1996.
  • Gretchen Turonek. “What Makes a Good Film Adaptation?” Gretchen Turonek, 16 Mar. 2016, 

Juliet’s Abuse

During the period of time known as Elizabethan England, the roles men and women played contrasted in many different ways. Men were supposed to be emotionless and strong while women were always required to be submissive. In the tragic romantic play, The Tragedy of Romeo and Juliet, William Shakespeare introduces the theme of gender roles through different characters such as Romeo, Paris, and Juliet who all give a glimpse into what was expected of women and men respectively. Romeo and Juliet, the two protagonists of the play come from two families that have maintained an age-old feud.

One fateful night, these two “star-crossed lovers” meet. Unbeknownst to them at the time, the other maintained a part of the enemy family. Against social normalities and the will of their own family, they decide to be wedded to each other without the consent of the patriarchs of their families. The same fate that brought these two individuals together, divides them with the death of the death of the other person. Throughout the romantic play which turns to a calamity, gender themes can be identified which contrast greatly to those common today. Juliet’s lack of agency within her major life decisions highlights the way that gender roles silenced the voice of women while simultaneously placing unrealistic standards on the men of the time.

Women had very little say or power within the context of their marriage. The husband made all of the decisions without the consent of his wife. “My child is yet a stranger in the world. / She hath not seen the change of fourteen years, / Let two more summers wither in their pride / Ere we may think her ripe to be a bride.” (Rom. I.ii. 8-12) Lord Capulet’s precious young child will wed his daughter to the man he sees the best fit for her. Juliet is even absent all while this conversation concerning her future takes place. Using the term “ripe” portrays the image of the Capulets growing and grooming their child for her one purpose in life, to serve and complete a man’s personal appearance who she becomes forced into a relationship with. Her youthful age and demeanor allow the parents to infer that she is unable to make decisions for herself. Lord Capulet uses the term “we”, (referring to his wife and himself) to tell Paris why he needs to wait just a little bit longer. Shakespeare describes the only contribution Juliet would provide to her husband in the excerpt, “This precious book of love, this unbound lover, / To beautify him only lacks a cover” (Rom. III.i.118-120).

Over and over throughout the story of Romeo and Juliet, we see the symbol of a book to compare to people and love as an overall concept. Every bachelor looks for a wife that will provide a cover to his well-developed “book.” He, therefore, searches for a woman that will improve upon his appearance, and not help him make decisions. When one picks up a book, the first thing that catches the attention of the potential reader is the cover, therefore that aspect of the book needs to be the most appealing. The requirements for the perfect wife only entails that the potential bride appears not to be a total sociopath, but does have a pretty face. The metaphor of the “precious book of love” compares Paris to this bound book that has everything together but merely lacks a cover to complete the appearance of the book. Shakespeare constantly presents men as unable to show emotion and instilled with the expectation of having their life together.
Throughout Romeo and Juliet, the author unintentionally exhibits the pressure on men unnaturally feeling as if they have to be emotionless at all times.

Displaying emotion exists looked down upon by everyone which the Nurse proclaims in the quote, “Piteous predicament! Even so lies she, / Blubb’ring and weeping, weeping and blubb’ring.— / Stand up, stand up. Stand an you be a man. / For Juliet’s sake, for her sake, rise and stand” (3.3.92-97). The nurse who Shakespeare expertly uses to intertwine comedic relief into the story now states that Romeo’s sentimental breakdown is embarrassing. The Nurse proves that not only did other men expect each other to be stone-cold without feelings, but most everyone else felt that way as well. Romeo lying upon the ground bawling his eyes out only furthers the Nurse and the Friar’s disappointment. The Nurse conveys the fact that women have been given the right to display emotion when Juliet is unable to hold herself together, but she expects Romeo to “Stand an you be a man.” Romeo speaks upon his own “moment of weakness” in the quote, “O sweet Juliet, / Thy beauty hath made me effeminate / And in my temper softened valor’s steel” (Rom.III.i. 118-20). Once again, the reason why Romeo loves Juliet is because of her beauty.

Her personality nor her intellect makes Romeo soften or feel feminine, but her “beauty.” The concept of Juliet merely being the cover to Romeo’s book further explains women’s roles and responsibilities as a wife. The love Romeo expresses for Juliet makes him feel feminine and weak. He views himself as a man that carries himself with valor and a steely-eyed expression. This show of emotion makes even Romeo look upon himself with disdain let alone his peers. Men were provided with an unrealistic standard of being stone-cold showing little to no emotion during the period of time known as Elizabethan England.

The Capulets took away Juliet’s ability to make decisions for herself, therefore, silencing her voice. In addition to this, men felt socially pressured to act similar to heartless and unthinking robots. Furthermore, it displays how these social normalities have been more or less eliminated from today. Yet, still, men feel as if they cannot cry out for help and have to bundle all of their emotions inside of themselves under lock and key. The glimpse Shakespeare provides of the gender roles of the time allows the reader to understand the mistreatment women went through and the agonizing restrain men had to maintain to avoid rebukes from others.        

Short Story about Drama Romeo and Juliet

A drama well known by William Shakespeare is Romeo and Juliet. Shakespeare’s play about the doomed romance of two teenagers from feuding families is the most famous love story written. This play was first performed around 1596, Romeo and Juliet has been adapted by ballets, operas, the musical West Side Story, and a dozen other films.

The forcefulness of love, love is the play’s most dominant and most important theme. The play focuses on romantic love, specifically the intense passion that springs up in the first sight between Romeo and Juliet. The love is violent, ecstatic, overpowering force that supersedes all other values, loyalties, and emotions. Love as a cause of violence, the themes of death and violence permeate Romeo and Juliet, and they are always connected to passion, whether the passion is love or hate. The individual versus society, much of Romeo and Juliet involves the lovers’ struggles against public and social institutions that disagree with the existence of their love. The inevitability to fate, this is the first address to the audience, the Chorus states that Romeo and Juliet are “star crossed” that is to say that fate controls them. This sense of fate permeates the play but, not just for the audience, the characters are also quite aware of it. Romeo’s actions play into the hands of fate, his determination to spend eternity with Juliet results in their deaths.

Romeo is the son of Montague and Lady Montague. Romeo is sixteen, he is intelligent, handsome, and sensitive. Though immature, his idealism and passion make him a likeable character. Juliet, the daughter of Capulet and Lady Capulet, a beautiful thirteen-year-old girl. She begins the play as a naive child who has thought little about love and marriage, but she quickly grows up upon falling in love with Romeo, the son of her family’s great enemy. Friar Lawrence, a Franciscan, friend to both Romeo and Juliet. Mercutio who is a kinsman to the Prince, and Romeo’s friend. He is one of the most extraordinary characters in all of Shakespeare’s plays, Mercutio is full of imagination, wit, and at times, a strange, biting satire, and brooding fervor.

In Romeo and Juliet, the play’s main point of view is between two lovers. In the first half of the play, Romeo has the dominant point of view. We spend a majority of our time with him, and he is the character that does the most to advance the action. We first see Juliet at home with her mother and her Nurse, discussing a potential marriage to Paris. Like Romeo, she plans to attend the party to check out a prospective mate. By introducing the audience to each character before they meet each other, the play lets us see who they are as individuals, and how they are changed by love. Romeo initially seems more in love with the idea of love than Rosaline herself, while Juliet seems hesitant to fall in love at all.  

Facts about Romeo & Juliet

Back in 1597, the classic William Shakespeare play, Romeo & Juliet, was published. The play’s focus and emphasis based around the sensation and theory of “love at first sight”, the romantic side and the dangerous side. The two main characters, Romeo and Juliet, fall in love but are both heirs of feuding families, the Montague’s (Romeo) and the Capulet’s (Juliet).

“Deny thy father and refuse thy name, or wilt not be sworn my love, and I’ll no longer be a Capulet,” (2.2 37-39). In these lines, Juliet is contemplating the feelings he has for Romeo, with the feelings of her father if he found out she was involved with the rival family. Exhibiting there is much danger and risk involved with romantics. Shakespeare creates drama throughout the entire theatrical performance, the drama portrayed her is a tragedy. A tragedy in theatre is when the main character(s) in the play experience extreme sorrow because of flaw, moral weakness, or the inability to handle adverse circumstances; Romeo & Juliet is a prime example of a traditional tragedy.

Romeo & Juliet is full of dramatic purposes, scenes or dialogue that serve specific purpose to the plot. The opening dialogue of the play exhibits the relationship between the Capulet’s and the Montague’s, “Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean,” (1.1 1-4). The quote explains that the two families are alike in many ways, but because of an old feud they will never see eye to eye, setting the mood for the entire tragedy. The type of dramatic purpose best fitting for Romeo & Juliet is the link of characters, conflict and irony.

There is emphasis on the connection the main characters have with each other, but due to the conflict of the feuding families the story ends in irony and the death of the lead characters. To get better understand the dramatic purpose of Romeo & Juliet, one might want to know the structure in which the play was written. A play can be structured one of two types of ways, climatic or episodic. The structure that fits this play the best is the climatic structure because there is a clear exposition, rising action, climax, falling action, and catastrophe.

The plot of the play makes it easy to spot; Feud between two families (Montague’s and Capulet’s) makes it hard for two lovers. Romeo is still in-love with Rosaline, but two of his peers convince him to sneak into a party at the forbidden Capulet house to get his mind off Rosaline and meet someone new. Low and behold, Romeo meets someone new and it is “love at first sight”, both Romeo and his new love are head over heels for each other, but there is one problem. The girl who he falls in-love with is Juliet Capulet. Secretly, Romeo and Juliet are married by the Friar who thought this marriage would end the feud between the two families. Unfortunately, tragedy strikes as Romeo is banished by the prince for killing Tybalt, Juliet’s cousin. Juliet is now arranged to marry Paris, but her parents do not know she is already wed to Romeo. With help of the Friar, Juliet fakes her death to get out of her arranged marriage. Poor communication tells Romeo his love is dead, so he sneaks into Verona to see her one last time.

Romeo drinks poison to join his wife in death, but upon this event, Juliet wakes. When she is unable to ingest enough poison from the lips of Romeo, Juliet takes his dagger and stabs herself, reuniting the forbidden lovers in death. Throughout the entire play, there is central conflict, both internal and external. Two internal central conflicts are the running conflict between the Capulet and Montague families, the heirs on both sides were raised to hate the other because of the butter feud, but this also had a negative effect on the entire city of Verona as citizens were killed in fights between the two families, and this filters into the second external central conflict, a Montague and a Capulet falling in-love with each other and making their love even more forbidden. One internal central conflict involves Juliet after the death of Tybalt. She has to decide the best way to move on with her life, mourning the loss of her family member or have joy her husband is alive and safe. These conflicts filter back to the emphasis of the play, the romantic and dangerous sides to love at first sight. An abundance of internal and external conflict makes it impossible for the two lovers to formally be together, although forbidden, their burning love for each other makes them break the rules and experience sacrifice.

An opposing force in Romeo and Juliet is an individual against society. Throughout the play, it is noticeable the main characters, Romeo and Juliet, as individuals, are fighting with society to be together, society says no but themselves say yes. “Not proud you have, but thankful that you have. Proud can I never be of what I hate, but thankful even for hate that is meant,” (3.5 146-148). In this scene, Juliet has informed her parents she does not want to marry Paris, but she is thankful her parents have her best interest in finding her a life mate. She is fighting with society because she is already married to Romeo although her parents do not know, and it is forbidden. The key conflict of the play was the feuding families, shown all throughout the play, they are introduced at the beginning with the prologue and they run through until the ending scene, however this conflict was resolved.

Unfortunately, it wasn’t until after the death of Romeo and Juliet, the two mourning families rose statues to honor each other’s lost child, “As rich shall Romeo’s by his lady’s lie, poor sacrifices of our enmity,” (5.3 319-320). The balance forces throughout the entire theatrical performance is the feud of the families and the two young lovers. They both are acting in opposite direction, but they also carry the same significance. The two families have had an ongoing rivalry for many years and each family has raised their young to dislike the other family, but once the two meet at the Capulet party, the feud between the two families children is broken. With the feud and the love happening at the same time, the balance force is able to happen.

When Tybalt is killed by Romeo, it is easily seen the two forces are balanced through the eyes of Juliet. She is unable to decipher if she should be thankful her newlywed husband is alive and safe, or if she should have hatred toward the Montague’s because her cousin was killed by one. When evaluating the characters of Romeo & Juliet, the feud between the families decides the fate of the two leads. The two meets and marry in secret because if they were to tell their families, they would both be disowned. But, one-character particularly, the Friar, plays an interestingly important role in the play. He agrees to wed the two forbidden lovers in hopes of settling the family rivalry, but his plan more than backfires.

Had the friar not wed Romeo and Juliet, Juliet would not have faked her own death to be reunited with banished her love. Ending the play in the tragedy of them both killing themselves to be together, thus settling the feud. Foil characters, or characters who share opposite interests than the lead, are also scene throughout the play Starting at the beginning, Rosaline is a foil character for Juliet because she has no interest in sharing a future with him, whereas Juliet is willing to risk everything to be with Romeo. A second foil character in the play in Mercutio, Romeo’s best friend. Oddly enough, he is a foil to Romeo himself, whereas Romeo is a romantic and is always on the prowl for love, Mercutio shows less concern with the idea of love.

Mercutio is realistic in his ways of thinking and refuses to be a victim of love, as Romeo has with Rosaline and later Juliet. In act 1 scene 4, Romeo and Mercutio are discussing dreams, and Mercutio happens to state, “True, I talk of dreams, which are the children of an idle brain. Begot of nothing but vain fantasy,” (1.4 97-99). By using the words “dreams” and “fantasy” in the same context, it can be implied that Mercutio does not believe in dreams being a reality, just false reality made up by your mind as what one wants to happen. Romeo is so wrapped up in the idea of love that he wants his dreams a reality, and pounces on any act similar to this.