The Great Gatsby

Isolation in American Literature

June 3, 2020 by Essay Writer

The individual and his role in society, based on American Literature, is portrayed through many different characters, all sharing the same feelings of isolation. The feeling of isolation, in reference to Huckleberry Finn , is a choice that Huck Finn brings on himself. Throughout rebellion towards his father, Huck tries to find his true self by isolating himself from societies views and beliefs. In the novel Great Gatsby , by F. Scoot Fitzgerald, Jay Gatsby was isolated from the outside world by society.

Throughout many examples of American Literature we are aware that isolation was not a pleasurable state of freedom, but more like a state of imprisonment brought on by society. In Steinbeck’s Of Mice and Men, Lenny was isolated by societies fear of difference. Society was prejudice against Lenny’s differences. This caused isolation in both societies standards and in Lenny’s mind. Throughout many images portrayed by American Literature, the recurring theme of isolation is a role that each character takes on based on societies beliefs, views, and prejudices.

Isolation played a key role of the character development in Huckleberry Finn. Twain carefully selected ways to show isolation in Huck’s life based on societies views of his adventures, thoughts, and of his feelings toward slavery. Huck’s beliefs in issues that society condoned isolated him from the “normal” state of living that everyone else practiced. This same view that society cast upon Huck was also thrust upon Jay Gatsby in The Great Gatsby . Because of his wealth and his self-removal from gossip and other immoral issues, that society thrives on, Jay too, was isolated.

Maybe this state of seclusion was brought on by society but Nick Carraway demonstrated that, “Once banishment is brought on by others, it is soon picked up within. ” (Fitzgerald, Great; 86) Hester Prinne also demonstrates a state of solitariness, in The Scarlet Letter. After society condemns her actions she goes into seclusion and lives in her own state of peace. This is brought on by societies harsh judgments. This leads to total isolation of their views in Hester’s mind. She knows that there is a difference between her beliefs and societies views of morals.

These beliefs, that she has come to accept, yet curse at the same time, cause her to continue to wear the Scarlet letter, but these beliefs also cause her to isolate herself so she is not outcast by society. Lenny Small, in Of Mice and Men , is outcast into a state of seclusion “all because of societies prejudices and views on living, thinking, and acting. ” (Hart, Oxford; 73) Always having a special place for Lenny to run off to and hide when things got tough is another example of isolation. When society didn’t feel something was right with Lenny’s behavior he would go into seclusion and isolate himself from the world.

The fact that Lenny Small was not aware of the way people outcast him exhibits another form of isolation. Lenny’s sequestration by society set the overall issue of isolation in Of Mice and Men. Huckleberry Finn isolated himself from society because he rebelled against their ignorant beliefs. Every time Huck changed identifies, he isolated himself even deeper. ” The overall character change of Huck Finn demonstrates Twains own rebellion against societies views. ” (Scott, Mark; 38) As Huck Finn comes across the different aspects, attitudes, and restrictions of society, he learns to prefer his own individual freedom over societies restrictions.

Gatsby is secluded out of both, personal choice, and societies choice. Under his own personal choice of isolation Gatsby seems satisfied, but when the issue of society condemning him arose, the view of isolation seems less appealing. When seclusion by society is made into a recurring theme in Great Gatsby, Jay tries to change his social status and forgets about his moral responsibility. He becomes like all other characters in society that judge and gossip. This new outlook may pull him out of isolation, but in the end it also kills him. The need for social acceptance pulls the trigger that ends Jay Gatsby’s life.

Throughout many examples of American Literature, it is apparent that society played a key role in character development. In numerous examples from American Literature we see that society isolated certain characters for being different than the socially accepted person. Authors, such as Mark Twain ( a. k. a. Sammual Clemmens), John Steinbeck, F. Scott Fitzgerald, and Nathanial Hawthorne, portray the best examples of isolation in their classic American literature novels. They show, throughout their novels, that the conflict between society and the individual is based on seclusion, condemnation, but most of all through isolation.

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American Dream Theme

June 3, 2020 by Essay Writer

The portrayal of the American Dream in literature has evolved as the United States has developed and prospered. In the beginning, the initial settlers in the Americas were searching for simple things, such as new opportunities and freedom of religion. As the country grew more populous, competition for success was heightened. Many people have different ideas on what the American Dream means to them. Over the years, American authors have used the theme of the American Dream to share their perspectives on society.

Starting with Mark Twain’s Adventures of Huckleberry Finn, the depiction of this theme has evolved with society throughout the years. This novel was set in the years that slavery was prevalent, which made the relationship between a young boy and a runaway slave very difficult. They crave to have no restraints and constrictions and strive to escape the controlling society that they live in. In his book, Twain’s idea of the American Dream is depicted as “a celebration of freedom, not only from physical structure and rules, but from the prejudices of Southern society in the age of slavery”

(“The American Dream” 2).

The two boys struggle to reach freedom and happiness together throughout the entire book. The main character in The Great Gatsby also struggles for happiness throughout his life in Scott Fitzgerald’s novel. After losing his true love and BURTON 2 discovering that she has been married to another man, he uses his riches and “high society” lifestyle to win her back over. He strives for money and fortune, but finds no true happiness in his successes.

One article had a wonderful explanation of the American dream presented in this novel: “Through the character of Gatsby, Fitzgerald eventually shows that, while the rags-to-riches American Dream seems fantastic and wonderful, it is in reality shallow, as well as devoid of true joy and love” (“The American Dream” 3). However, not all quests for success can end favorably for everyone. This fact is depicted well in Arthur Miller’s Death of a Salesman. After a lifetime of failures, Willy Loman learns the hard way that success in society is not everything in life; family and love for one another is what is most important.

He seems to focus more on being well liked by the buyers and other people that he visits instead of actually selling his products. Near the end, he voices his frustration frequently about how there is no relationship and personality in the selling business anymore. In his article, Bradford states that Willy “believes that personality, not hard work and innovation, is the key to success” (Bradford 3).

Miller proves this to be false when, in the play, Willy attempts to use his charisma to get a raise from his boss, but the conversation eventually ends in him being fired altogether. He goes on to blame numerous other reasons for his being let go from the company, but never recognizes his own fault.

The American Dream started off as a simple desire for freedom to express oneself and live equally with each other. This was expressed in the 1884 novel, Adventures of Huckleberry Finn. These hopes and dreams turned more BURTON 3 materialistic by the 1920’s when Gatsby believed that he could somehow win over his one true love with his fame and riches.

He worked hard to earn his success, but without friends and loved ones to share your life with, he realized that success does not bring true happiness. This theme changed once again, though, when the Loman family was introduced in 1949. In Arthur Miller’s play, Willy Loman acted as if he shouldn’t have to work for success and riches. He seemed to believe that everything should be handed to him, instead of earned. The American Dream theme has never failed to keep up with progress in American society.

Many authors and playwrights incorporated this theme into their works in order to make the stories relatable to readers at their times. While peoples’ aspirations started out more moral, people began to become greedy in their desires. This led to their dreams becoming more complicated.

The definition of success and means of achieving happiness have changed as American culture has transformed. BURTON 4 Works Cited “The American Dream in Literature. ” Examiner. com. Clarity Digital Group LCC, 15 Sept. 2011. Web. 09 Sept. 2013. Bradford, Wade. “The American Dream in “Death of a Salesman”” About. com Plays / Drama. N. p. , 2013. Web. 09 Sept. 2013.

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Fame: Happiness and People

June 3, 2020 by Essay Writer

An Italian fashion designer with the name of Roberto Cavalli once said, “In the beginning, I loved being famous, but now I am tired of it, and I would like to go back to my freedom. ” So, in a question of fame bring happiness or are people who are not famous more likely to be happy, I think that being famous is not something that brings a person true happiness. When one is famous, a person gets no privacy and freedom , they deal with a lot of fake people, and while they might be famous they might not be famous for necessarily the right reasons.

When one famous they gain a lot of opportunities but , when one gain this fame some of their privacies and freedoms are taken away. A popular American Pop Star Justin Timberlake, said in an interview, “The worst thing about being famous is the invasion of one’s privacy. ” The reason he said this is that when a person is famous one gets a lot of recognition and exposure which makes it hard for one to go out and hang out with friends, do the simple things that make you happy and do hobby or activities that you love to do.

Predominantly, the reason for this is because when a famous person goes out that person is constantly being stopped and followed and asked for pictures and autographs. Depending on how famous one is and what they famous for you might not even have time for yourself, especially if you’re going to meetings and tours and things of that nature. A great example are childhood stars such as Michael Jackson. Michael often reminisced how, when he was younger. he wanted to go out and play with the other kids in the neighborhood, but he couldn’t because he had to go practice with his brothers.

With that fame , many thought that his lack of a childhood forced him to make so questionable, childish decisions in his life. Therefore, being famous doesn’t always bring you privacy and freedom that makes one truly happy. Another factor of why fame doesn’t lead to happiness is having to dealwith fake people. A outspoken former NBA star Charles Barkley, once said, , “One thing about being famous is the people around you, you pay all their bills so they very rarely disagree with you because they want you to pick up the check. ” This shows people don’t show their true feelings and will try to leech on to you and take advantage of you.

So with ones’ fame you have to watch who you associate yourself with and not trust everyone you meet. An example from the novel “The Great Gatsby” the is character Gatsby. He threw elaborate parties and was famous all around the land. During these parties, he didn’t even associate himself with all the people at the party because his fame didn’t make him happy, a woman with the name of Daisy did. The people at these parties leeched onto him because he was rich and famous and gossiped about him . In the end of the book , Gatsby was never truly happy with his fame and money alone.

Therefore, the addition of fame also brings an addition of a lack of genuine people in your life. With fame it doesn’t always come with being famous for the right things. If one is famous they want to be famous for the right reasons not the wrong ones. A opportunity of being famous is somewhat of a blessing, one can have the opportunity to affect a person’s life in ways that normal people can’t. Some people aren’t suited for this job and disappoint others. They make negative effects on people’s lives. If one’s famous for the wrong reasons it can bring stress into their life and displeasure.

People who are famous for the wrong reasons usually find out they have people who call them out on it and a large group of people who don’t like them. Ending of on that note, bring famous for something negative make people unhappy in which this wish they weren’t famous at all. Being famous doesn’t always bring true happiness. The lack of freedom and privacy, dealing with fake people, and being famous for the wrong reasons. Finally, fame is something that a lot of people strive for, but when it is attained they wish they never had it and don’t look at it as a big of a deal. It doesn’t bring the happiness that was hoped to be attained.

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Family Identity in The Great Gatsby

June 3, 2020 by Essay Writer

An individual’s identity is typically considered a characteristic that somebody is born with, similar to physical traits such as eye color or face shape. In truth, identity is not something that can be identified by a particular hair of DNA, rather it is something that must be formed throughout a lifetime. Therefore, at birth, one’s identity is a blank canvas, all set to take in knowledge from its instant environments, more particularly household, as it is the first thing a fresh identity is exposed to.
As evidenced by Grapes of Rage, Abraham Lincoln, and The Terrific Gatsby, one’s identity is primarily determined by his or her household.
In Grapes of Rage, the Joad’s identify themselves with their land, as farming is their only income. Without land to farm, the Joads’s way of living is entirely uprooted; thus, they are forced to alter their identities in order to endure. Nevertheless, this identification with the land is not something each Joad is born with; rather, it is a relationship that is primarily influenced by household.
At first, Ruthie and Winifield, both still children, do not comprehend the emotional impact of the Dustbowl on their household.
Nevertheless, as they view their daddy, they start to understand that his land is what makes him who he is, and without it, he is lost. At this moment, Ruthie and Winifield’s brand-new identities are starting to take shape as they, too, learn to love the land. Abraham Lincoln, a previous president of the United States, matured in a little cabin to a poor household. He had the ability to go to school as a young kid; however, the educational system of his rural town in Kentucky put him at a drawback to lots of other politicians he completed against.
When Lincoln’s mother passed, he was delegated be raised by only his daddy, whom he slowly ended up being estranged from. Nevertheless, these downsides that Lincoln faced made him the self-motivated and ambitious man he quickly became. Had he been raised in a well-to-do household by mindful and caring parents, he would not have been almost as driven and hardworking, as everything would have been spoon-fed to him. Thus, Lincoln’s household life was the something ultimately identified the guy he was to become.
Lincoln’s absentee father and poor economic situation gave him the will and ambition that allowed him o do great things in the world. In The Great Gatsby, in contrast to Abraham Lincoln, Daisy was born into an extremely wealthy family. In such a family, Daisy hardly ever had the need to lift a finger, as everything was done for her. In addition, this wealth made Daisy a very desirable young woman; thus, Daisy did not often have to work to gain anyone’s approval. Had she been raised in poor family, similar to Abraham Lincoln, Daisy would have been forced to sink or swim on her own, giving her more ambition to succeed.
However, due to Daisy’s family life, she grew accustomed to a pampered life lifestyle in which everything was simply handed to her, making her the self-obsessed, materialistic, and lazy person she became. As evidenced by Grapes of Wrath, Abraham Lincoln, and The Great Gatsby, family is what primarily determines someone’s identity. Thus, identity is not some gene-determined trait that is formed prior to birth. It is something that takes shape in the early stages of one’s life, forming accordingly to his or her environment.

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Male Perspective of Love in Literature

June 3, 2020 by Essay Writer

Compare and contrast the ways writers use form, structure and language to portray the male perspective of love in Shakespeare’s ‘Othello’, Fitzgerald’s ‘The Great Gatsby’ and the Poetry of Robert Browning. The male perspective of love is interesting to look at when looking at different texts in comparison. Although they have been written in different literary movements male characters portray very similar attitudes and reflect the same aspects towards love and relationships.

This essay concerns the male perspective of love, however it is important to analyse the factors that cause these interpretations of love that the writers have created for the male characters.

For example a reoccurring perspective is the need for dominance over their significant other for example in Shakespeare’s Othello, Othello establishes his dominance over Desdemona by murdering her, similarly in the poetry of Robert Browning his poems ‘My Last Duchess’ and ‘Porphyria’s Lover’ where they also kill their lovers in order to reinforce their male dominance over their partner.

In The Great Gatsby Daisy’s partner Tom displays his dominance over Daisy when he abuses her by punching her in the face. The male perspective of love is understood when looking at the theories of causation. As stated one of the most prominent male perspective of love conveys the need and desire to be dominant over their partner. In the Shakespearian play ‘Othello’ set in 16th century Venice looks at the idea of unconditional love despite the fact that Othello and his love Desdemona are from two completely different worlds. Othello is a Moore which refers to the Islamic – Arabic inhabitants of North Africa, whereas Desdemona is a Venetian.

Contextually their love for one another would be seen as highly controversial and taboo, however despite Desdemona insists that she marries Othello. ‘To you, preferring you before her father, so much I challenge that I may profess due to the Moor my lord. ’ Here Desdemona recognises that her duty is divided, however her honesty with her father shows how willingly loyal she is. A literary interpretation of Othello’s character would suggest that Othello feels the need to dominate over Desdemona due to his much insecurity as a character, directly associated with the idea that he is not of the Venetian culture.

Leavis views that Othello is a ‘weak and stupid character’ that doesn’t understand himself or Desdemona, Othello is an outsider to the Venetian community where as Cassio isn’t, hence his insecurities structure between Cassio and Desdemona when Iago suggests that they are having an affair together. As a result Othello may realise that to maintain his prestige and respect as a soldier he must justify what has been done on him by killing Desdemona.

To some extent I do agree more with the analysis that Leavis’ creates as looking within the context of the time although Othello and his achievements have been celebrated he evidently is a cultural and racial outsider. In addition to insecurities that Othello it is also a possibility that Othello is threatened by Desdemona’s sexual nature, as a character she is very flirtatious and friendly with most of Othello’s comrades including his lieutenant Cassio, whom has suspicion of sleeping with his wife. Desdemona’s supposed infidelity and unfaithfulness to her husband has caused her death.

In the patriarchal Venetian society, women were told to remain submissive and meek at all times. However, in ‘Othello’, the women express independence, though in private, and Emilia, Desdemona’s maid, presents us with feminist opinions when she warns that “the ills we do, their ills instruct us so”. Feminist readings of ‘Othello’ suggest that even though women are shown to be submissive, possessions and are even called ‘whores’, when they do express their feelings and disobey their husband, as is the case with Emilia when she tells Othello of the handkerchief and Iago, she is killed.

This, similar to what happened to the Duchess and Desdemona, shows that any sign of independence from their husband is unwelcome and they are quickly eliminated. This demonstrates my argument that destruction is caused by the male need to control the womenThis could be seen as a threat to Othello as not only is he a cultural outsider; his wife could be potentially having an affair with another man who is of the culture.

Additionally Desdemona is of a higher class status than Othello, which also contribute to his insecurities this links with the novel ‘The Great Gatsby’ by Fitzgerald this text also portrays various conflict issues with class, for example when Daisy proclaims that she would rather be with her unfaithful husband rather than Gatsby. There are some very strong comparisons between Othello and some other texts also for example the poem Porphyria’s Lover and My Last Duchess by Robert Browning presents similar male perspectives of love.

Porphyria’s Lover, the Duke and Othello all feel that they are losing control of their significant other and the power in the relationship. Feminist interpretations would suggest that that these characters are somehow threatened by the sexual nature of their partner, they feel that they should be the dominant in the relationship therefore to maintain that level of power they need so they kill their lovers, it would also indicate that the male characters of these texts are highly insecure.

For example Desdemona’s sexual identity is a threat to Othello’s status, if he kills Desdemona however he can still maintain his prestige without fear of embarrassment [PEE]. This is also similar to the poem My Last Duchess the duke was also threatened by the sexual nature of his wife [PEE]. There are also some comparisons between Othello and the Great Gatsby; they both have similar conflicting issues with class and status.

For instance Desdemona is of higher status than Othello, this also adds to Othello’s insecurities as not only is Desdemona very flirtatious, she is also very wealthy. PEE] Othello is also warned from the beginning of the play by Brabantio, Desdemona’s father to be cautious of her [PEE] Another interpretation made by Bradley who rejects this view and presents an overwhelming positive analysis of Othello whom he sees as relatively blameless for his actions. On the other hand Bradley suggests that it is indeed the manipulative language used by Iago that had caused Othello to develop these insecurities that ultimately lead to his downfall.

This theory seems evident in Act 3, Scene 3 also known as ‘the corruption scene’. This is the scene where the initial manipulation begins, Iago begins to manipulate Othello firstly by making that he is someone trustworthy and reliable therefore he forms a friendship with Othello. Iago had been turned down from the role as Othello’s lieutenant which has explained why he may have some resentment towards Othello; however despite this there is no clear indication to why Iago manipulates Othello in such a way.

Some people have interpreted this as a homosexual affection that Iago shows for Othello in which he is jealous of the love Desdemona and Othello have for each other, therefore he convinces Othello to ultimately kill her in attempt for a chance with Othello. One such interpretation is that Iago is motivated by jealousy of Othello’s love for Desdemona, and is maddened by a repressed homosexual desire. There is a hint of this in Act 3, Scene 3, as Iago, pledging his loyalty to his general, tells Othello, “I am your own forever”.

Iago’s chosen word’s perhaps express more than soldierly devotion, and possess a distinctly romantic tone not too dissimilar to the language of a marriage vow However in some aspects it would seem clear that Othello has already chosen to kill Desdemona almost out of his own will, nothing that anyone says will make a difference at all. ‘Yet she must die, else she’ll betray more men’. The dialog is full of legalistic language as if Othello has tried her and is now sentencing her.

The novel The Great Gatsby is set during the American Jazz Age of the early 1920’s, this was a time jazz music became increasingly popular and played a significant part in wider cultural changes during this period. This was also a time where the American Dream also played an important part in people’s lives; people would immigrate to America in order to achieve this ‘American Dream’. The idea of unrequited love is a prominent theme.

Narrated by Nick Carraway the story tells of Jay Gatsby’s quest for Daisy Buchanan, Nick writes from Gatsby’s point of view as he is writing the novel two years after the story actually happens, so much Gatsby’s point of view is the point of view from Nick, although a trustworthy third party he can sometimes also be unreliable. Nick is determined to make himself seem trustworthy, claiming to be “one of the few honest people that [he has] ever known”. He also claims not to be judgemental, yet he tells Gatsby that “They’re a rotten crowd….

You’re worth the whole damn bunch put together”. This line shows Nick’s judgemental side, proving him to be an untrustworthy narrator. Gatsby’s perspective of love is that in order for him and Daisy to unite he must change, therefore he gained the wealth and prestige in order to win her heart, however Daisy is now married with Tom Buchanan an upper class socialite and had married daisy even though she had promised herself to Gatsby, despite that Tom is unfaithful to her.

Like Othello and the protagonists of ‘My Last Duchess’ and ‘Porphyria’s Lover’ Tom Buchanan is also the self-proclaimed ‘alpha-male’ and feels like he too needs to establish his authority over his love interests for example when he strikes Myrtle in the mouth for speaking ill of his and Daisy’s relationship. The Great Gatsby also shows a portrayal of love and money Gatsby gained his wealth illegally by selling alcohol in an era when alcohol was prohibited. Dishonesty becomes his nature, displayed when he tells Nick that he is “the son of some wealthy people in the Midwest” and lies about being “brought up in America, but, educated in Oxford”.

Daisy’s immorality is also evident when she allows Gatsby to take the blame for her crime, an act that ultimately results in his death. Unlike Othello and the Browning poetry which was written in a much different era to Gatsby, the novel portrays contrasting perspectives of love. Such as going after your lover, and changing yourself rather than trying to change your partner. The Browning poetry was also written in a similar era to Othello, and therefore the correlation between love and dominance are a reoccurring aspect.

For example in the poem ‘My Last Duchess’ the poem is one huge monologue to the audience about a Duke talking to a painter about his last Duchess like Othello the female protagonist is portrayed someone of a sexual and flirtatious nature. Ingersoll describes the character of the Duke as a dominating character with strong will and purpose but as a narcissist who has an insecure need to construct a self-important image of himself which could be seen as a similar interpretation to Leavis’ analysis of Othello.

The Duke is also portrayed by browning as someone who has complete desire to gain over control over every aspect in his life for example all that remains of the duchess is a painting concealed under a pull curtain, ultimately the duke decided who sees her and who doesn’t, or if she is even showed at all. The duke shows satisfaction in this by almost boasting about how he was able to control this young girl. Tucker argues that not only does the power give him pleasure, but by reducing the Duchess to a painting, he reduces her to something he can understand and in turn, control.

The male need to control women by reducing them to ‘art’ is also visible in ‘Othello’ when he asks, “Was this fair paper, this most goodly book,/ Made to write “whore” upon? ”, referring to Desdemona and her suspected infidelity. The poem ‘Porphyria’s Lover’ also portrays a similar message; this is also a monologue that is violent and abrupt: a working man, the lover of a middle class girl, murders her when she comes to his cottage, strangling her with her hair. At the end of the poem he sits, apparently calmly, with her corpse in some kind of pseudo embrace.

Like Gatsby and Othello the protagonist is again threatened by the idea of their significant other having some sort of control over them. Ingersoll believes that “In his own mad fashion, the Lover has read that text in order to escape being positioned as ‘feminine’ i. e. A loved object to be abandoned again as she may have many times before. He reaffirms her ‘feminine’ position as one too weak to break those ‘vainer ties’ to a world in which he can have no presence. Torn between moments of passionate possession of her and inevitable abandonment or ‘loss’, he has murdered her n order to turn her into a fetishistic object which can never leave”.

This also links with Gatsby as they both deal with conflict issues regarding class, however Daisy would never have a relationship with someone that is of a lower class than her, however the female protagonist against all odds rejects this sociological concept and has relations with a man of lower status regardless, however like Othello this causes the male protagonists to become insecure and weak in their relationship, therefore to restore that order they get rid of their loved ones completely. Stuck on conclusion.

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Examples of Post Modernism in Play and Worker Drone

June 3, 2020 by Essay Writer

In any situation foreign to the character, anything and everything will be done to try to make sense of ones surroundings. The importance of identifying the type of the movies shown in “Worker Drone” by Raju, S. (2010) and “Play” by Kaplan and Zimmerman (2010) are vital to the understanding of not only the plot, but also the common themes presented. For example, common themes in both movies were was the sense of paranoia, a showcase of intertextuality and an ambiguous endings. All three common themes make it clear that these movies are in fact postmodern films, despite the fact that there were also a few common themes also found supporting a modernist and existentialist sense.

There were ambiguous ending in both filmsIn both films, there were clear ambiguous endings, which makes them postmodernis a large indicator of a postmodern film. For example, the audience also does not know what how the ending was in the movie “Play” movie “Play” ends, and leaves them asking questions such as to who was the little boy and does the female end up tell anyone else what she saw in the ending? In “The Worker Drone” the audience never finds out if the war had ended or even if Paul has actually told anyone else the truth.

These films display ambiguous endings and leave the audience wondering as to what exactly happened, and allows them to create their own version of the ending in their own heads. This common theme displays a postmodern type of storytelling in both “The Worker Drone” and “Play”.

Another key postmodern theme that I believe was most apparent was the use of intertexting themes in both “The Worker Drone” and “Play”. An example of such was used during “Play” when the story is actually set inside a videogame in which the characters play as characters inside of the game cartages. Also, Wwhile in “The Worker Drone” this theme is shown with the use of the “Planet Dogstar” promo commercial that is played as a video inside of a movie. These examples of intertexting are very apparent in both films and represents another aspect of postmodern themes.

Lastly, as related to the previous paragraph, most specifically the movie “Play”, the strange world in which these characters live in create a sense of paranoia and has them begin to question their reality. As mentioned, in the movie “Play” these characters find themselves in a strange video game world in which they are unsure of who they even are (eg. “Who am I? Where am I?”). Meanwhile, in “The Worker Drone” the main characters have developed paranoia in which they believe they are being monitored to the point in which they have nanochips implanted in their brains.

In conclusion, both “The Worker Drone” and “Play” presented common themes showcasing a postmodern view such as intertexting, ambiguous endings and paranoia. These themes stood out the most in my opinion and made these stories postmodern in my opinion.

Task 1, Topic 2: Two Examples of Post modernism


In any situation foreign to the character, anything and everything will be done to try to make sense of ones surroundings. The importance of identifying the type of the movies shown in “Worker Drone” by Raju, S. (2010) and “Play” by Kaplan and Zimmerman (2010) are vital to the understanding of not only the plot, but also the common themes presented. For example, common themes in both movies was the sense of paranoia, a showcase of intertextuality an ambiguous ending. All three common themes make it clear that these movies are in fact postmodern films, despite the fact that there were also a few common themes found supporting a modernist and existentialist sense.

In both films there were clear ambiguous endings, which is a large indicator of a postmodern film. For example, the audience also does not know how the movie “Play” ends, and leaves them asking questions such as to who was the little boy and does the female character end up tell anyone else what she saw in the ending? In “The Worker Drone” the audience never finds out if the war had ended or even if Paul has actually told anyone else the truth. These films display ambiguous endings and leave the audience wondering as to what exactly happened, and allows them to create their own version of the ending in their own heads. This common theme displays a postmodern type of storytelling in both “The Worker Drone” and “Play”.

Another key postmodern theme that I believe was most apparent was the use of intertexting themes in both “The Worker Drone” and “Play”. An example of such was used during “Play” when the story is set inside a videogame in which the characters play as characters inside of the game cartages. Also, while in “The Worker Drone” this theme is shown with the use of the “Planet Dogstar” promo commercial that is played as a video inside of a movie. These examples of intertexting are very apparent in both films and represents another aspect of postmodern themes.

Lastly, as related to the previous paragraph, most specifically the movie “Play”, the strange world in which these characters live in create a sense of paranoia and has them begin to question their reality. As mentioned, in the movie “Play” these characters find themselves in a strange video game world in which they are unsure of who they even are (eg. “Who am I? Where am I?”). Meanwhile, in “The Worker Drone” the main characters have developed paranoia in which they believe they are being monitored to the point in which they have nanochips implanted in their brains.

In conclusion, both “The Worker Drone” and “Play” presented common themes showcasing a postmodern view such as intertexting, ambiguous endings and paranoia. These themes stood out the most in my opinion and made these stories postmodern in my opinion.

Task 2: Movie Questions

Q. What is the name of the movie?
A. The Great Gatsby

Q. When was the movie made?
A. First in 1925 but again in 2013.

Q. What is the main setting of the movie? (Time and place)
A. Between West Egg and New York in the early 1900s after a war.

Q. Who are the main characters? Which one is the protagonist? Which one is the antagonist? (Who are they, describe them briefly). A. Daisy : Gatsby loves her. He met her five years ago but didn’t marry her, now she is married with someone else and Gatsby wants to get back with her. Nick : The cousin of Daisy. Is used by Gatsby to connect with Daisy, and he is the one narrating the story. Jordon: Has a connection between Nick, Tom and Gatsby, and is a “side character” Protagonist: He is “Jay Gatsby”. His character is shown as the film progresses, and he is a mysterious man that throws parties every Saturday for what is later revealed to impress Daisy. He is a con man and has made money off of corruption. Antagonist: Tom (Daisy’s husband) is the antagonist in the film. He is originally just loving to his wife, but upon realizing Gatsbys intensions, plans to Gatsbys death

Q. What is the essence of the problem or conflict that lies at the heart of this movie? A. Gatsby was unable to marry Daisy five years prior as he was too poor, and is now trying to win her back now that he is rich. The essence of the problem is also the decision by Daisy as to who she wants to spend the rest of her life with (Gatsby or her husband, Tom)

Q. How are the attitudes and perspectives on life from that era reflected in the film? A. The language is very clearly an older, more British form of English with many British phrases presented (“Old Chap”). On top of that, the clothing, buildings, and cars are clearly old fashioned and dates back to the early 1900’s. Lastly, there is clearly a cultural shift between the main characters, and the lesser “poorer” peoples. This is clear by the lack of disregard to colored and underprivileged peoples in the early 1900’s

Q. How is the story helped by camera angles?
A. There are close shots during emotional scenes in them such as the only time when Gatsby was angry and when he was shot dead as well. There are shots with Dutch/angle to show confusion during the party scene when Nick met Gatsby for the first time. And when Tom’s lover, was struck by the car that was being driven by Daisy. There were also many long shots from above to show wider detail like when there is a shot taken of the block/city.

Q. How is the story helped by music? Provide several specific examples. A. The music was really relative to the scenes, and clearly emphasized the point playing. For example, there was soothing music during intimate scenes, and in contrast there was loud, fast paced music playing during the party scenes. Also, there was a clear difference in genre of music based on the ethnicity shown. For example more classical music was played during scenes with Daisy’s husband, and hip-hop during scenes with African Americans.

Q. How is the story helped by costumes?
A. Every scene costumes played a major role on portraying the setting, wither it be representing rich from poor, casual to formal, or night to day, as well as portraying the time this film was set in. The costumes were clearly early 1900s and was showcased by women wearing full dresses with hats, as well as Gatsby even holding a cane for show. An example of formal to casual is showcased by the Butlers wearing tuxedos in comparison to causal night clothes worn by Gatsby and other characters.

Q. What is the overarching theme of the movie? Defend your choice. A. This film has one of the clearest themes I’ve even noticed, and it’s that wealth can’t buy you happiness. This is shown by the fact that Gatsby was able to throw rich extravagant parties, yet was unhappy because he was not with Daisy. Eventually he would actually die as a result of trying to get Daisy’s love back to marry him. Simply put, money cannot buy happiness

Q. How do these production choices (camera angles, music, costumes) contribute to the overarching feeling that the movie is existentialist, modernist, or postmodernist? Choose one of these three styles and show how production choices helped to illuminate the literary style of the film. A. As mentioned previously, camera angles, music and costumes played a major role in the film. These helped present a Modernist style of movie by presenting costumes in the early 1900s sense. Around this time modernism began to grow, and you can tell by the modernist touches to the clothing. The music along with the costumes presents the Flappers ideology and really presented the modernist feel.

Q. How is this like the poems, songs, or stories you have read in this unit? A. I found this movie had a variety of elements in it showcasing not only modernist views, but also existentialist and postmodernist ideas. Now of course these views have been presented in other poems, songs and stories throughout this unit, but it is the first time that all these elements are so clearly together. For example, modernist elements were found in the references to WW1 and Oxford U, while postmodernist elements were showcased in paranoia and suspension of other characters. In conclusion, I find this movie to have been a great blending of all themes, but having modernist as the center point idea.

Q. How is this film different from everything else that you have read, heard, etc., in this unit? Make two specific connections. A. I found this film showcased many examples of several elements showcased in this unit (modernist, postmodern, existentialist, etc.). This made it more of an opinion choice based off the evidence as to what type of film was showcased. I did find this film to be much more enjoyable than the other films shown (practically because I knew about the story prior to) and made this film much more enjoyable/realistic to watch.

Q. Is this movie mostly existentialist in outlook or mostly modernist in outlook or mostly postmodernist in its style? Why do you think that? A. I believe the movie was modernist for the most part because it had many of the elements required and did not have many postmodernist or existentialist elements throughout. Elements such as alliteration, such as the term “Old sport” were used for multiple reasons throughout the movie, which showcases a modernist form. Allusions/references were also very apparent, in such forms as references to WW1, Oxford U, etc. The theme of juxtaposition was shown as well when Daisy was deciding who to spend her life with.

Task 3: Script

The movie had many modern elements and concepts to it, and by adding the following monologue I hope to present the fact that it is such by using a few theatrical devises used from that era (eg. “Strong visual images, Free-form poetry”). This scene begins the story as a reflection of the stories events told by Mr. Gatsby before the story its self is presented in full. “She was unique. A lovely girl for whom I loved from when I laid my eyes first upon her. You see, I was a fool. Her exquisiteness was so mind-blowing, so much in such that I became too nervous to make my presence available to her. We first met in Louisville in 1917, and we fell madly in love.

Time changed, we grew apart. Yet here I found myself in the same country, same city and almost the same island yet I was a fool and I stayed reclusive.” “I don’t know how long it may have been, in fact I might not have ever reacquainted with her had it not been for a swell lad that moved next door named Nick. You see, every Saturday. Over and over again. Week after week. With my incredible wealth I hosted the grandest, most exciting parties that this Grand Island have ever seen, hoping, just hoping that this golden girl would show up.” “Today my heart is aching

For a woman that’s far away
I would give anything to hold him
And any ransom I would pay”
Once finished speaking, Mr. Gatsby finishes typing up what he’s said in story form.
Proceeds to the crumple up the paper and throw it in the trash bin.

Modified Poem from:

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Color Imagery – The Great Gatsby

June 3, 2020 by Essay Writer

Writers often use a variety of literary devices in their literature to relate to the themes of their stories. Imagery is just one of the many that are used to create the structure for the literary pieces. Imagery can be used to form images in the reader’s mind, appealing to the human senses. F. Scott Fitzgerald, the mind behind the American Modernist novel The Great Gatsby, uses a specific form of this literary device, which is color imagery, to make a more meaningful visual experience for the reader.

Patterns of certain colors represent recurring themes in the story as a whole.

In The Great Gatsby, certain characters portray the significance of colors in the color theory. Jay Gatsby, Daisy Buchanan, and Jordan Baker’s actions in the story prove this point through their actions and their words. Fitzgerald’s story contains an aspect of wealth, and each character goes about it in his or her own way, connecting back to the imagery the author uses.

By examining the desire for power, material possession, dishonesty, and deception, it is clear that the colors yellow and gold are used to represent these themes.

Fitzgerald’s color imagery is clear when yellow is used to describe situations of greed and the desire for power throughout the story. In The Great Gatsby, there are several characters who wish to have more, who are never satisfied with what they have. They become greedy, and their actions, as small as some are, help to prove this. Daisy Buchanan is Jay Gatsby’s love interest in the story. However, it is known that she is married to Tom Buchanan, and that they have a child together. The narrator of the story, Nick Carraway, describes Tom as an aggressive, arrogant, self-absorbed, man.

His aggressiveness leads him to verbally and physically abuse Daisy. One may believe that the best situation would be for her to simply leave Tom in order for her to have a better life. The thing is that Daisy cannot get herself to do that because she craves power and wealth. Daisy is observed by Nick, and is described as being “in white, her dress rippling and fluttering…” (8). When thinking of an actual daisy flower, it’s known that a daisy has white petals with a yellow center. In the story, Mrs. Buchanan is in a white dress, exhibiting purity and innocence, but the yellow inside clearly shows she is full of nothing but greed.

She stays with Tom, an abusive husband, because she enjoys having a luxurious life. Daisy does indeed represent a daisy flower, with her true color, yellow, showing through her actions. Along with Daisy, George Wilson subtly shows a desire for more in the story. According to Nick, George is “a blonde, spiritless man… and fairly handsome” (25). Mr. Wilson’s hair is blonde, which ties with yellow in the story. When Tom Buchanan visits George in the Valley of Ashes, the first thing he says to Tom is, “When are you going to sell me that car? ” (25).

George knows that Tom is a wealthy man, and although not being straightforward with it, George wants more than what he has with his dull life in the Valley of Ashes. His blonde hair shows that because the author’s use of yellow shows the greed and the desire for power in the story. Fitzgerald applies his color imagery to The Great Gatsby in a very sophisticated way because he uses a single color to express multiple ideas. Not only do yellow and gold display a craving for more, but it also shows the material wealth that someone can have. As discussed earlier, Tom Buchanan and Daisy Buchanan lead lives of great affluence.

They live in the East Egg, the more extravagant of the two Eggs, in Long Island, New York. As the narrator of the story observes the couple’s beautiful mansion, he says it has a “front broken by a line of French windows, glowing now with reflected gold and wide open to the warm, windy afternoon… (6). Nick’s portrayal of the luxurious Buchanan home and life using gold shows how the author uses the color to represent material possession. While Nick Carraway spends time describing the Buchanans’ affluence, his own material possession is also depicted.

Nick’s love interest in the story is a woman named Jordan Baker. He spends a significant amount of time with her, and recounts what kind of stuff they do together. At one of Gatsby’s great parties, Nick is with Jordan, when he says, “With Jordan’s slender golden arm resting in mine, we descended the steps and sauntered the garden” (43). Nick has Jordan Baker’s “golden arm” in his, which shows how he clearly sees her as some sort of righteous prize, a possession of his. The gold is used to make Jordan Nick’s very own material possession.

That is how Fitzgerald expresses yellow and gold when relating to this theme. Misleading and being dishonest are two of the things that several characters do in The Great Gatsby to portray themselves as better, or just simply different. In this story, dishonesty and deception are expressed by the author. Many in the story wonder how Jay Gatsby became this extremely rich man. Mystery surrounds Mr. Gatsby, and it is learned that it is his purpose to keep it a mystery. When he picks up Nick Carraway in his yellow Rolls-Royce he tells him some details about his origin.

However, Nick is immediately suspicious of what Mr. Gatsby is telling him in his yellow car. He tells Nick to be wary about what rumors he hears about Gatsby, and he tells him about Oxford and his status in the military. Gatsby seems to be trying very hard to create an image of himself that simply is not accurate. Gatsby is so full of deception that Nick somehow “manages to restrain his incredulous laughter” (66). The narrator knows for a fact that something just does not add up, and this all happens in the luxurious yellow vehicle.

While in the car, Gatsby is dishonest to Nick for the first time. He may have shown “evidence”, but Nick knows that Gatsby is deceiving him in a way. Another character close to the narrator also displays very misleading behavior. Not unlike Daisy Buchanan, Jordan Baker is described as having a delicate white dress, making her seem like a pristine, pure object. Nevertheless, Nick also observes Miss Baker’s “autumn-leaf yellow hair” (17). The narrator learns that Jordan is not all that truthful when he realizes that she did not play fair in a gold tournament once.

Nick says, “At her first big gold tournament there was a suggestion that she had moved her ball from a bad lie in the semi-final round… she was incurably dishonest” (57-58). Her dishonesty ties back to the narrative description of her yellow hair. All in all, the author clearly displays yellow as a color of deception and fraud. F. Scott Fitzgerald’s use of color imagery in The Great Gatsby not only makes a clear picture in the reader’s mind, but it also helps to relate to the broader themes of the whole story. He uses color patterns and attaches colors to certain images to craft a big idea using few words.

More specifically, the yellow and gold patterns portray the themes of greed, desire for power, material possession, and dishonesty. Daisy Buchanan wanting to keep her power despite having to stay with Tom, Nick’s prize in Jordan Baker, and Gatsby’s apparent deception all fall under the color yellow. This again shows Fitzgerald’s multiple ideas under a single color. The many examples and patterns of one color are not coincidental, and that is why yellow and gold tie perfectly into the story in regards to representing themes and motifs in The Great Gatsby.

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Jay Gatsby Character Analysis

June 3, 2020 by Essay Writer

The character Jay Gatsby, also known as James Gatz, is the key character in The Great Gatsby. He started out as a poor farmer’s son in North Dakota, and dropped out of college in Minnesota. He joined the military and during training meets Daisy, a beautiful rich woman living nearby, whom he falls in love with. Gatsby is soon shipped out for the war. Daisy then marries Tom Buchanan who is a rich aristocrat whose social standing is the same as Daisy’s, her ideal partner.

Gatsby becomes rich from bootlegging after coming back from the war to impress and win back Daisy.

Jay Gatsby carries a dark shroud around his past which makes him very mysterious to other characters in the book as well as to readers. Gatsby is an extremely generous man considering his roots as a poor farmer’s son. He claims to come from money but he was actually the son of a very poor farmer in North Dakota.

Coming from no money he throws around his money frivolously like he always wished he could as a young boy. Gatsby throws parties every weekend, which anyone can attend and have a good time. At his parties there is always plenty of food and much to drink as well as music and dancing.

At one of his parties, a woman named Lucille tore her dress on a chair, Gatsby heard of this and asked her for her name and address. Gatsby then bought her a new dress worth $265 and sent it to her within a week. “When I was here last I tore my gown on a chair… I got a package from Croirier’s with a new evening gown in it” (Fitzgerald 43). Gatsby buys the dress because loves to flaunt his money for people to see how rich he is, and for Daisy to see how rich he’s become. He also offers Nick, Gatsby’s neighbor and Daisy’s cousin, a job in his business knowing he might need a little more money.

Even though Nick didn’t take Gatsby up on his job offer it still shows that Gatsby trusts Nick and is a generous gesture. Gatsby is also generous in taking the blame for the death of Myrtle, Tom’s secret lover. It may not be of any monetary value but he loves Daisy enough to take the murder off her hands and take the blame himself. Gatsby’s generosity is a great attribute to his character, however most know him for the mystique and enigmatic presence. Jay Gatsby is quite the intriguing and mysterious character. Everyone attends his parties yet no one seems to really know anything about him.

He makes grandiose claims of graduating from Oxford but can’t prove it, which adds a bit of mystique to his past, whether its false or real. Since many of the partygoers know little to nothing of Gatsby, many rumors are spread throughout the party. “He’s a bootlegger” and “One time he killed a man who had found out that he was nephew to Von Hindenburg and second cousin to the devil” (Fitzgerald 61) were some rumors spread about the second party Nick attended. The rumors differed from person to person but someone always seemed to have a different perspective of Jay Gatsby.

When Nick is introducing Tom, Daisy’s husband, to Gatsby he disappears when Nick isn’t looking, and Nick doesn’t know why he left, or where he went. Gatsby left Nick alone with Tom because he didn’t want to meet with the man who stole Daisy from him. Nick, essentially being Gatsby’s only friend in the novel, is lied to by Gatsby about his past, but eventually after things don’t add up Gatsby lets the truth out. With years of telling lies Gatsby feels relieved to finally be able to tell someone the truth about himself.

His roots of being a farmer’s son to being a rich man living in West Egg is suspicious to begin with. But saying that his money came from “some wealthy people in the middle west” (Fitzgerald 65) isn’t convincing. Gatsby uses his past to make a false social standing and to gain respect. However his facade has too many holes in it and soon his lies begin to catch up with him. His career in bootlegging has him running around with shady characters and disappearing from time to time. If his money wasn’t dirty, which he claims it isn’t then he’d have no reason to associate with gangsters such as Meyer Wolfsheim.

The mystery surrounding Gatsby in the novel pales in comparison to the passion and devotion he carries for Daisy throughout the story. Jay Gatsby becomes devoted to winning the love of Daisy after hearing that she married Tom Buchanan. Even after the war and his shady business with Wolfsheim, Daisy is still the only woman in Gatsby’s heart. Gatsby becomes rich through bootlegging, which he could have gone to jail for just to get Daisy’s attention. Since Daisy is such a shallow woman Gatsby had to use riches and social standing to make her ‘love’ him.

He buys a mansion in West Egg and flaunts his money and makes extravagant stories so he can be held at a high enough level to be with Daisy. Gatsby throws enormous parties every weekend in order to lure Daisy in by chance, however he never gets a reunion with his beloved until he meets Nick, Daisy’s cousin. Gatsby invited Nick to one of his parties to meet and befriend Nick, soon after he asked Nick to arrange the reunion. Nick is more like a stepping stone for Gatsby to get to Daisy than a friend, he takes Nick out as a friend but always seems distant.

After Gatsby and Daisy meet for the first time in 5 years Gatsby shows her around his mansion to impress her, and it works. “That huge place there? ” she cried pointing. (Fitzgerald 90). “I love it” (Fitzgerald 90). Later on after the affair Daisy and Gatsby are having gets a little more serious and Gatsby tries to make Daisy tell Tom that she never loved him. Gatsby’s only dream is for Daisy to leave Tom for him, but it is shattered because Daisy and Tom have a daughter and Daisy won’t leave Tom because he provides her with security.

Tom comes from old money and he has a family with Daisy but Gatsby has new money from bootlegging, and still risks going to jail. His devotion doesn’t end there, when Daisy hits Tom’s lover Myrtle and leaves the scene without stopping, Gatsby takes the blame for the incident trying to protect Daisy. He even waits outside Daisy’s window to ensure that Tom doesn’t try to hurt her. His devotion for Daisy is so deep that he ends up dying for her, when Wilson, Myrtle’s husband, kills him thinking he ran over his wife.

Gatsby’s unrequited love for Daisy eventually blossoms into an affair, but ultimately is the reason for his demise. Jay Gatsby, the main character of F. Scott Fitzgerald’s The Great Gatsby holds a very large presence in the story. He is very shady in the beginning, always hiding and never being out in the open. He starts to show us a little about himself and becomes a bit understood, until his past doesn’t seem to add up. Once the truth comes out it leaves a bit of mystery around his movement in the story. The clouded past of James Gatz arouses curiosity of what he’s really up to and a mystery of what he’ll do next.

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Human Nature in The Great Gatsby

June 3, 2020 by Essay Writer

Human nature refers to the general psychological characteristics, feelings, and behavioral traits of humankind, regarded as shared by all humans. F. Scott Fitzgerald with the use of selection of detail, selective diction, and imagery, portrays both condescending and bona fide aspects of human nature. Death brings denial, memories, remorse, and perspective. To Nick Carraway, who is utterly incredulous and lachrymose over Gatsby’s death, the passing-away of a dear friend is a period of reflection.

Denial is the most prominent psychological aspect following one’s death.

“Gatsby’s house was still empty when I left. Fitzgerald implies that Nick is waiting upon Gatsby’s return — the return to normalcy. But the period of stagnation lingers and Nick continues to reminisce on the past. Fitzgerald invokes imagery by appealing to the five senses. Nick is trying to relive the condition of Gatsby’s infamous house parties by spending his Saturday nights in New York. The “gleaming, dazzling parties” draw out the visuals of a celebratory scene.

The “music and the laughter, faint and incessant” excites the aural senses and characterizes the mood of the party. Nick begins to notice the most dismissive and discreet details.

He acknowledges the length of the Gatsby’s unmanaged lawn as compared to his, in which he posed little to no interest prior to the death. Juxtaposing his brief observation is one far more conspicuous. “ One of the taxi drivers in the village never took a fare fast the entrance gate without stopping for a minute and pointing inside…perhaps he had made a story about it all his own. ” Nick takes to mind the change in attitude and persona of those who were acquaintances of Gatsby. His death brings a cessation to lively parties and expansive gifts. Therefore, they who once lauded and idolized Gatsby, act as if one has never heard of him.

The cruel and selfish face of human nature proves to be nothing less than pathetic. Nick concludes Gatsby’s story by paying attention to the green light and reminiscing Gatsby’s extraordinary spirit and pursuit to come as far as he did. “Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter –– to-morrow we will run faster, stretch out our arms farther…so we beat on, boats against the current, borne back ceaselessly into the past. ” Gatsby’s spirit and passion will continue on in those who remember him most.

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The Despicable Daisy Buchanan

June 3, 2020 by Essay Writer

“On Wednesdays we use pink”. Classic Mean Girls Regina George. Regina is the most gorgeous, popular lady in school. Everyone seems to listen to her. However, under all her makeup, you can see she is likewise the meanest and ugliest of them all. In Fitzgerald’s The Excellent Gatsby, Daisy Buchanan is Regina George. Daisy is by far the most contemptible character in the entire book. Regardless of her outer beauty, Daisy exemplifies true ugliness through her appearances and ditziness, selfishness and materialistic focuses, as well as her bad morals and lack of obligation.

Looking at Daisy, she appears beautiful inside and out. She has the “complete of money” voice that quickly draws people in like she is made up of excellent pledges. However genuinely it is the complete reverse. The only promise Daisy’s voice has is the promise of leading more people under her spell. “I’ve heard it said that Daisy’s whispering was only to make individuals lean toward her; an irrelevant criticism that made it no less captivating” (9 ).

Daisy has actually always been the belle of the ball as confirmed by her girlhood good friend from Louisville, Jordan Baker. Daisy utilizes her physical appearance and flirty methods to gain attention for herself, revealing her true colors. Daisy believes being her flirty and ditzy self is the method to gain individuals’s focus. She plainly has experience in these methods as shown when she discusses the child Pammy when she grows up: “I hope she’ll be a fool … that’s the finest thing a lady can be in this world, a lovely little fool” (17 ).

Daisy’s number one focus in life is by far Daisy. Nothing else registers in her head besides herself and, naturally, her money. Her materialistic mindset results in ruthless self-centeredness. Even at the young age of eighteen, materialism is the sole element in the marriage option of Tom. When Jay Gatsby, her poor puppy love, goes to war, Daisy promises to wait on him. Nevertheless, shortly after he is gone, Daisy meets Tom Buchanan. Tom is from a social family who might assure her the wealthy lifestyle she desires.

This is all Daisy needs to know. She selfishly marries Tom, completely leaving Gatsby behind all for her own personal wealth. Even Gatsby recognizes her obsession with money. “She only married you because I was poor” (130). Although Gatsby did not see that as selfishness since Daisy is “perfect” in his eyes, her choice is without a doubt cold hearted. Throughout the book Daisy strings along two men; her husband, Tom, and her old love, Jay Gatsby, all for more narcissistic attention. “I did love him once—but I loved you too” (132).

Often, Daisy’s selfish ways and love of the almighty dollar lead to her horrible morals and avoidance of responsibility. When times get tough and things go wrong, Daisy hides behind her money and goes somewhere new, leaving behind the situation. For example, at the hotel Daisy gets put in the situation of having to pick between her two men, Tom and Jay. Right away, her first thought is to run away from the responsibility. “I won’t stand this! Oh, please let’s get out” (133). On the way home from the hotel, Daisy is driving Gatsby’s car through the Valley of Ashes and hits Myrtle Wilson, instantly killing her. Daisy, being her usual self, weeps and drives away from the scene, allowing Gatsby to take blame.

“But of course I’ll say I was” (143). Daisy, killing another human being and not owning up to it is heartless on so many levels. For her to be able to wake up the next morning and feel fine is wrong, proving her terrible morals. George Wilson, Myrtle’s husband, is extremely angry and out of control when he finds out the car that hit his wife belongs to Jay Gatsby. George, assuming he is to blame, shoots Gatsby and then himself, killing both. If Daisy would have stopped at the accident and owned up to the death of Myrtle, two more lives might have been saved. Even lower, Daisy does not attend the funeral of Jay Gatsby, a man who, in a sense, took a bullet for her. Daisy fled with Tom to a new location, leaving no address or anything behind.

Sometimes the people ugliest on the outside are the most beautiful on the inside, like Beauty and the Beast’s Beast. Although he is scary and hairy on the surface, he is sweet and kindhearted the deeper in you go. Other times, there are people like Daisy, the complete opposite. In the end Daisy reveals herself for what she really embodies. Despite how appealing and attractive she appears, her ugly side comes out the deeper the novel goes. She, as a person, is proven to use her looks all for the wrong reasons. She centers her life on money and selfish ways, has corrupt morals, and strongly lacks responsibility. Daisy Buchanan is by far the most contemptible and despicable character. Why wear pink on Wednesdays when it is the inside that really counts?

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