Harsh Environment and Perseverance in Angela’s Ashes and The Street
In Angela’s Ashes, by Frank McCourt, and The Street, by Ann Petry, both authors center around how facing the challenges of harsh environments can require perseverance. The excerpts from Angela’s Ashes and The Street both give a glimpse into the life of an impoverished person.
Angela’s Ashes describes the life of a poor boy from Ireland and The Street is about a poor, black, single mother living in the 1940’s in New York. Both authors establish the similar theme of hardships faced by families in poverty and their perseverance through the use of characters, events, and settings. The author of Angela’s Ashes, Frank McCourt, portrays this theme through the main character, (himself) in the memoir.
McCourt faces many challenges growing up. The passage focuses on how his mother is bedridden and his father is far away because of work, so he and his three brothers find themselves in a state of need not being able to provide for themselves due to the circumstances. McCourt is forced to resort to staying home from school and stealing food so he and his family won’t starve.
McCourt becomes the provider and perseveres through the tough times by doing what is necessary to get by. ‘I put on my shoes and run quickly through the streets of Limerick to keep myself warm against the February Frost.’ (McCourt Paragraph 3) It was a cold month, but Frank knew that he had to get the food for his family. Sometimes you have to face the hardship of the February frost to do what you have to do to survive.
In The Street, by Ann Petry, instead of using poor social and economic circumstances to portray the theme, Petry uses the wind as a way to represent the difficult challenge that the characters are facing. In their environment, wind is a burden that goes on to irritate everyone in the city. However, the people are forced to continue with their daily lives, like the character Lutie Johnson, who was looking at housing while harsh wind was surrounding her.
Lutie accepts the circumstances and carries on, ‘The wind lifted Lutie Johnson’s hair away from her neck so that she suddenly felt naked and bald, for her hair had been resting softly and warmly against her skin,’ (Petry Paragraph 3). Lutie and the wind are conflicting forces and their interaction is a discomfort to Lute.
Lutie can’t stop it, so she continues to live with the wind as all the other people in the city do. Together, the two passages convey that facing the challenges of a harsh environment must require perseverance. In Angela’s Ashes, these challenges are shaped through the people surrounding McCourt. For a young boy, he finds less and less people willing to assist his family and finds the burden shouldered on himself alone.
‘We don’t laugh long, there is no more bread and we’re hungry, the four of us. We can get no more credit at O’Connell’s shop. We can’t go near Grandma, either. She yells at us all the time because Dad is from the North and he never sends money home from England where he is working in a munitions factory. Grandma says we could starve to death for all he cares.’ (McCourt Paragraph 3). In The Street, the wind serves as the challenge due to its power inconveniencing and irritating everyone, but due to the fact that they know it’s impossible to control the weather, they deal with the circumstances. Both passages are about how there will be times when we are powerless, but in that powerlessness, we find a way to move forward. Perseverance is not giving up. It is persistence; the effort required to do something and keep doing it regardless if it is hard. In Angela’s Ashes and The Street, Frank McCourt and Lutie Johnson are both put in difficult situations, but show tenacity for their family. In both passages, the author uses character, events and setting to show how facing the challenges of poverty and harsh environments requires perseverance.
“It’s Not Hard to Make Decisions When You Know What Your Values Are”
Roy Disney explains that “It’s not hard to make decisions when you know what your values are.” This is an important theme for the characters of Stephen Dedalus from James Joyce’s A Portrait of the Artist as a Young Man and of Frank McCourt from Frank McCourt’s Angela’s Ashes. The two things in life that are supposed to supply stability (parents and the church) have failed, which is why Stephen and Frank discover that only through their own self-reliance will they ever be able to experience true freedom from the forces that have bound them.
Stephen’s parents let him down by not emotionally supporting him while Frank’s parents do not physically support him. Right before Stephen leaves to go to the university, his father shouts out to his siblings, “Is your lazy bitch of a brother gone out yet?” (135). Stephen’s father shows a lack of respect for his son by calling him lazy and goes on to imply that he is not very masculine. His father belittles him in front of his family and does not even apologize for his harsh words. Stephen’s mother also disappoints him as “he had watched the faith which was fading down in his soul aging and strengthening in her eyes” (126). Stephen sees his mother choosing religion over him. His mother decides to trust the Catholic Church rather than her own son, which shows that her support is not toward Stephen. Through his parents’ lack of emotional support, Stephen must look inside himself for strength.
Frank’s parents support him emotionally, but they do not adequately provide the support he needs physically. Angela “hopes [Malachy] might bring home something from the farm, potatoes, cabbage, turnips, carrots, but he’ll never bring home anything because he’d never stoop so low as to ask a farmer for anything” (95). Frank’s father lets his pride take control of his life, even though it means his family will starve. Frank rarely gets enough food to fulfill his appetite because he father is too proud to beg for food. When Angela wants to move because of the diseases the lavatory may spread, Malachy explains, “We can’t move again. Where will we get a house for six shillings a week?” (92). Frank is unable to live in a clean home because his family cannot afford it. His family constantly moves due to their financial situation, and each home is more dilapidated than the previous. Despite the emotional support that is provided to Frank by his parents, they have great difficulty feeding and housing him.
Similar to his parents, the Catholic Church also fails Stephen by wrongly accusing him of lying about his broken glasses and fails Frank by refusing him the opportunity to be an altar boy. After Stephen states that he has been excused from schoolwork, Father Dolan says, “Out here, Dadalus. Lazy little schemer” (37). An important figure in his church doubts his honesty and verbally demeans Stephen in front of his classmates. Then Father Dolan physically punishes Stephen even when he tells the Father the truth. Stephen goes to the rector and when the rector takes Father Dolan’s side, Stephen tries to explain to the rector, “But I told him I broke them, sir, and he pandied me” (43). Even the rector does not believe Stephen and half-heartedly tells him that he will have a talk with Father Dolan regarding the situation. Stephen gives the church one more chance to prove itself to him, but the church falls short and ends up disregarding Stephen’s complaints.
Frank is wronged by the church as he is turned down the chance to be an altar boy and to continue school. Under the advice of a teacher, Frank and his father go to the church, but “Stephen Carey looks at him, then me. He says, We don’t have room for him, and closes the door” (149). When the church closes it’s doors to Frank, it makes clear that the church does not embrace people of all social classes. Even though Frank spends tireless hours memorizing Latin and reading the bible, the church officials are unable to see through his tattered clothing and dirty face. Frank goes to the church with his mother to see about continuing his education, but they turn him down yet another time. As they leave, his mother says, “That’s the second time a door was slammed in your face by the Church” (289). Frank gives the church a second chance to redeem itself to him, and once again it fails to accept him. It is only through the church that Frank has the opportunity to extend his education and they refuse to even let him speak on his own behalf. A church is generally a place to go in time of need, but for Stephen and Frank, it neglects to provide basic comfort and reassurance.
Since their lives have been altered from the betrayal by their parents and the Catholic Church, Stephen and Frank must quickly mature and become individuals. While walking beside his father in a strange town, Stephen announces, “I am Stephen Dedalus” (70). Stephen’s father is slowly losing his own identity, and because of this, Stephen must declare his name as a way to declare his own individuality. He is no longer just his father’s son, but he is his own person with independent feelings, memories, and thoughts. After a friend questions his beliefs, Stephen asserts, “I said that I had lost the faith… but not that I had lost self-respect” (188). He understands the importance of being true to himself, especially since he has lost respect for the church and his parents. Even though he has given up hope for the rest of the world, he has not given up on himself, and that enables him to grow from his trying experiences. Stephen must rely on his own beliefs and his own sense of right and wrong, which permits him to grow apart from the ties of society.
Frank also has been deceived by his family and religion and he decides to channel his frustrations into becoming a better person through his experiences. When Angela tells Frank that he is not allowed to work anymore due to health conditions, Frank exclaims, “I want the job. I want to bring home the shilling. I want to be a man” (261). Frank understands responsibility at a young age and still wants to support his family even though they have let him down. He is tired of being walked over because of his lack of money, so he works very hard to attempt to rise above poverty. Frank is also strong-willed when it comes to injustice. Frank runs away from Laman Griffin’s house because he was unfairly beat, and he tells his brother, “I’m never going back” (298). It breaks his heart when his mother chooses Laman over him, and that makes him realize that he has the option of leaving the entire situation behind him. Since his ties to his family have loosened greatly, Frank is able to separate himself from them and improve the quality of his life. Frank gains a strong work ethic and the ability to be self-reliant from the collapse of his family and his loss of faith in his religion.
Stephen and Frank realize that they must break away from the constraints that their family, church, and Ireland have put on them. No matter how hard he tries to be a part of Ireland, Stephen remarks, “Ireland is the sow that eats her farrow” (157). He recognizes that he has been unable to be the artist that he would like to be because Ireland destroys everything creative. He cannot artistically flourish in a place that does not tolerate independent thoughts and ideas. Stephen goes on to state that, “I will not serve that in which I no longer believe, whether it call itself my home, my fatherland, or my church” (191). Stephen decides that he does not need to continue to expose himself to the very things that have consistently disappointed him throughout the years. He does not have a place at home in Ireland, or even in his church, so he finally allows himself to completely abandon everything that has tied him down.
Frank identifies his family, church, and Ireland as the things preventing him from living his life the way he would like to live it. At an early age, Frank ponders, “The master says it’s a glorious thing to die for the Faith and Dad says it’s a glorious thing to die for Ireland and I wonder if there’s anyone in the world who would like us to live” (113). Frank’s purpose in life is all up to his religion and his country and neither of them want the same thing. Frank is suffocating with the expectations thrust upon him from the church, his nation, and even his family. However, Frank soon breaks away from his family and even claims, “If my whole family dropped from the hunger I wouldn’t touch this money in the post office” (333). The only ticket out of his miserable life is to save up money and move to America. Frank is finally able to put his own welfare above the expectations of his society. It is through the suppression of his individuality that forces Frank to disconnect himself from the bonds of his society.
Stephen and Frank are able to gain the courage and strength to leave Ireland and their former lives behind them due to the lack of dependability provided by their parents and the Catholic Church. From the adversity that they must overcome in their lives, Stephen and Frank are both able to achieve true freedom from the limitations that have held them down for so long.