The Theme of Hope in Angela’s Ashes and The Street
“Angela’s Ashes” and “The Street” are both descriptive short stories that use vivid imagery to paint a picture in your mind. The use of similes and adjectives put you in the midst of the stories and help you better understand the characters and plots. Both stories have an under theme of hope and although they have a touch of sadness and poverty I feel as though there is also hope, hope for the future and what lies ahead and hope in humanity.
There is hope in “Angela’s Ashes”, the children take care of each other. The oldest son looks out for the siblings, Malachy, Michael and Alphie and although they don’t have much and are hungry they drink their tea, eat their breakfast with sugar and laugh while Alphie smears the sugar all over his face. This shows hope even through the dark and the pain and the hunger there is something to laugh about and find joy in. In “The Street” “Lutie Johnson looks up at the rusted sign after walking through the cold, blustery, dirty town and she reads it rapidly, three rooms, steam heat, parquet floors, respectable tenants”. ( Ann Petry) Reasonable. Showing that even through the cold and grime that there’s a bit of light at the end, hope for the future.
Imagery is used in “Angela’s Ashes” that shows hope for the future. “The oldest son is walking to get bread for his family, he’s walking past people’s windows seeing the cozy homes, warm fire places, happy families, warm food”. (“Frank McCourt ) Then he spots a van pulling away which left crates of beer and lemonade (which is his mother’s favorite) and is able to take some. There’s a bread van outside of Kathleen O’Connell’s shop and although, he was going to ask her to give her some bread there was a chance she would say no. “He’s able to take some bread for his family as well and even though stealing is wrong and he knows it he was able to provide some food and some relief to his siblings”( Frank McCourt). In “The Street” Imagery is used when she is walking to her destination, the cold November wind was blowing all sorts of trash around, dirt and debris. You feel bad for her being out in the cold dirty street but at the end when she finally reaches her destination it was all worth it she is given some relief and hope.
“Angela’s Ashes” and “The Street” are both very descriptive short stories with many different hidden meanings: love, poverty, social issues, illness, etc. but the theme that I find most present and meaningful is the theme of hope. It resonates throughout both stories and without it both stories would be too depressing. “Angela’s Ashes” shows resiliency, persistence and perseverance. The oldest brother looks after his entire family and small occurrences happen so that they have food to eat and a full belly, at least for a day. “The Street” uses vivid imagery and expressive adjectives to paint a picture and set the scene in your head. The woman in the story, Lutie, doesn’t have an easy time walking to her destination, but when she finally arrives it was all worth it. Stories like these prove that even through tough times, people have the ability to persevere and as long as you hold on to the little piece of hope, nothing is ever as bad as it seems.
Harsh Environment and Perseverance in Angela’s Ashes and The Street
In Angela’s Ashes, by Frank McCourt, and The Street, by Ann Petry, both authors center around how facing the challenges of harsh environments can require perseverance. The excerpts from Angela’s Ashes and The Street both give a glimpse into the life of an impoverished person.
Angela’s Ashes describes the life of a poor boy from Ireland and The Street is about a poor, black, single mother living in the 1940’s in New York. Both authors establish the similar theme of hardships faced by families in poverty and their perseverance through the use of characters, events, and settings. The author of Angela’s Ashes, Frank McCourt, portrays this theme through the main character, (himself) in the memoir.
McCourt faces many challenges growing up. The passage focuses on how his mother is bedridden and his father is far away because of work, so he and his three brothers find themselves in a state of need not being able to provide for themselves due to the circumstances. McCourt is forced to resort to staying home from school and stealing food so he and his family won’t starve.
McCourt becomes the provider and perseveres through the tough times by doing what is necessary to get by. ‘I put on my shoes and run quickly through the streets of Limerick to keep myself warm against the February Frost.’ (McCourt Paragraph 3) It was a cold month, but Frank knew that he had to get the food for his family. Sometimes you have to face the hardship of the February frost to do what you have to do to survive.
In The Street, by Ann Petry, instead of using poor social and economic circumstances to portray the theme, Petry uses the wind as a way to represent the difficult challenge that the characters are facing. In their environment, wind is a burden that goes on to irritate everyone in the city. However, the people are forced to continue with their daily lives, like the character Lutie Johnson, who was looking at housing while harsh wind was surrounding her.
Lutie accepts the circumstances and carries on, ‘The wind lifted Lutie Johnson’s hair away from her neck so that she suddenly felt naked and bald, for her hair had been resting softly and warmly against her skin,’ (Petry Paragraph 3). Lutie and the wind are conflicting forces and their interaction is a discomfort to Lute.
Lutie can’t stop it, so she continues to live with the wind as all the other people in the city do. Together, the two passages convey that facing the challenges of a harsh environment must require perseverance. In Angela’s Ashes, these challenges are shaped through the people surrounding McCourt. For a young boy, he finds less and less people willing to assist his family and finds the burden shouldered on himself alone.
‘We don’t laugh long, there is no more bread and we’re hungry, the four of us. We can get no more credit at O’Connell’s shop. We can’t go near Grandma, either. She yells at us all the time because Dad is from the North and he never sends money home from England where he is working in a munitions factory. Grandma says we could starve to death for all he cares.’ (McCourt Paragraph 3). In The Street, the wind serves as the challenge due to its power inconveniencing and irritating everyone, but due to the fact that they know it’s impossible to control the weather, they deal with the circumstances. Both passages are about how there will be times when we are powerless, but in that powerlessness, we find a way to move forward. Perseverance is not giving up. It is persistence; the effort required to do something and keep doing it regardless if it is hard. In Angela’s Ashes and The Street, Frank McCourt and Lutie Johnson are both put in difficult situations, but show tenacity for their family. In both passages, the author uses character, events and setting to show how facing the challenges of poverty and harsh environments requires perseverance.
Poverty and Struggling for Survival in Angela’s Ashes and The Street
Angela’s Ashes and The Street both deal with the theme of struggling for survival. McCourt’s Irish slum and Petry’s Harlem are separated by a vast ocean, yet their struggles are simular. McCourt and Petry both use characters, events, and settings to develop the theme of living in poverty in their stories.
In the excerpt from The Street, Petry’s primary character is the wind. The wind is normally not a character. In The Street, however, the wind is an evil antagonist. The wind is the neighborhood bully. The wind goes around inflicting harm on everyone it encounters on 116th Street.
The wind, “set the bits of paper to dancing high in the air, so that a barrage of paper swirled into the faces of the people on the street… It did everything it could to discourage the people walking along the street” (Petry).
In ancient times, people were always struggling against nature for survival. But the story does not take place in ancient times. The story takes place in one of the largest and most technologically advanced cities on the face of the planet. For a person to view something as simple as the wind as such a violent and brutal enemy really says a lot about just how poor the person must be. In Angela’s Ashes, McCourt’s use of characterization is completely different, but just as powerful. Clearly Alphie is his youngest brother because he, “makes us laugh the way he smears the sugar all over his face and grins at us with his fat sticky cheeks,” (McCourt). Clearly his mother is sick and dying mother because she, “sits by the fire, shivering, and we know something is wrong when she makes no move for a cigarette,” and then, “stays in bed, still shivering,” (McCourt). Although she is not even physically present, it is clear that his grandmother is an old, bitter zealot because, “she yells at us all the time because Dad is from the North and he never sends money home from England where he is working in a munitions factory… we could starve to death for all he cares. That would teach Mam a lesson for marrying a man from the North with sallow skin, an odd manner and a look of the Presbyterian about him,” (McCourt).
Those miserable descriptions are in total contrast to all of the other, “families sitting there digging in all smiling the mother crisp and clean in her apron everyone washed” (McCourt).
The events in both the stories also play a huge role in developing the theme of survival. In The Street, the events are completely ordinary and simple. The way that the wind, “blew her eyelashes away from her eyes so that her eyeballs were bathed in a rush of coldness and she had to blink in order to read the words on the sign swaying back and forth over her head. Each time she thought she had the sign in focus, the wind pushed it away from her so that she wasn’t certain whether it said three rooms or two rooms” (Petry).
This simple act of trying to make it down a street to see if there is an apartment that she can rent is the equivalent of an arthritic old person trying to stand up and stumble across the room with the aid of their walker in a desperate race to make it to the bathroom before they urinate on themselves. This is a clearly indicates just how bad the circumstances of Lutie’s life are. In McCourt’s excerpt there are a lot more events, and they are just as graphic and significant. The hopeless depicted by, “The bed creaks all night with her twistings and turnings and she keeps us awake with her moaning for water” (McCourt). Even as he goes out in search of food for his starving brothers, the author is haunted by, “my mother moaning for lemonade,” (McCourt).
This drives the author to steal some from behind South’s pub. Events like washing, “down the food with cold tea because we have no fire to heat it,’ and mixing lemonade, “with water to stretch it,” paint a clear picture of just how miserable the family is (McCourt).
In Petry’s excerpt the setting is critically important. If it were not for the setting the wind could not have been such a vicious enemy. Petry’s descriptions of the wind’s actions show the reader just how poor and neglected that part of town is.
“It found all the dirt and dust and grime on the sidewalk and lifted it up so that the dirt got into their noses, making it difficult to breathe; the dust got into their eyes and blinded them; and the grit stung their skins. It wrapped newspaper around their feet entangling them until the people cursed deep in their throats, stamped their feet, kicked at the paper. The wind blew it back again and again until they were forced to stoop and dislodge the paper with their hands,” (Petry).
Clearly the streets have not been paved in years thus they are full of grit. To make it worse, the people who live there do not care where they throw their trash so there is litter everywhere that the wind uses to assault everyone walking along that street. In Angela’s Ashes the author does not give any clear, direct descriptions of the place where he lives, but his indirect descriptions leave no doubt that it was a poor and wretched place. This cold, harsh place then stand in stark contrast to the other homes that the author describes, “how cozy it is in their kitchens with fires glowing or ranges black and hot everything bright in the electric light,” (McCourt).
Characters, events, and settings are important parts of any good story. When a writer is trying to show just how hard a person’s is having to struggle to survive these aspects determine whether the writer will be highly successful or an epic failure at successfully communicating the characters plight that they are struggling to overcome.
Life Of Frank McCourt in Angela’s Ashes Novel
In the story Angela’s Ashes by Frank McCourt, Frank, the protagonist, faces many challenges throughout his life. His decisions factor the outcomes in both good ways and bad ways. One choice he made was when he decided to stand up for his mother against his father. Another was when he decided not to let anyone belittle him because of his social status. Lastly, he also made the choice to go to America to escape class and have a better life. In the end, he was a decent man that worked hard to get where he was.
To start, Frank’s choice to stand up for his mother was a big step. For his entire life, he had a good relationship with his father. He loved going out with him and hearing his stories. After realizing how his mother reacted to his father drinking away all the money, Frank wanted to do something about it because it wasn’t right. After receiving five pounds of money for the new baby, Frank saw his father slip the money into his pocket. His father told him to go home and how he would be home in a few minutes, and immediately Frank revolted saying how it was wrong for him to use the new baby’s money to drink at the pub. Frank was too young to do anything more than yell, so he ended up giving up and going home. Gradually, he started losing hope for his father. When his father finally went away to England to make money, For example, Frank and his mother waited for his train at Christmas time and gave up waiting for him. Frank’s father eventually came but the family kicked him out for good. It was better to let go of a man that thinks himself to be too grand to even care for his family. In the end, Frank became caring about his family, even though he left in the end because he didn’t like how his mother started an affair with her cousin, Laman Griffin.
Moreover, Frank picks up the trait to not stoop to a beggar’s status, even though they are poor and can’t afford anything. When Frank and his little brother, Malachy, have holes in their shoes, their father decides to use rubber from a bike tire to cover the holes instead of buying new ones for them. While wearing those shoes the next day in school, Frank and Malachy got picked on by everyone in school. So before class, Frank decided to throw his shoes out and go on ahead barefoot. After getting beaten and scolded, his teacher returned his shoes to him and told the rest of the class that they had no right to belittle him because he couldn’t afford new shoes. Eventually, Frank realized that he would rather steal than beg. In his uncle’s home after his uncle left the table, Frank stole his chips. Also after Mrs. Brigid Finucane had died, he went into her purse and took all the remaining money from it. In hindsight, this was a bad personality trait that Frank had picked up.
Lastly, Frank was eager to leave Ireland and go to America. In Ireland, everyone judged him on social class and he was often shunned because he was dressed in rags and was dirty. For example, his father took him to learn Latin and the teacher refused. Later on, his mother tried to help him get a job and the door was shut on their faces. To him, America seemed classless where he could fit in and find his place. Eventually, Frank got a job as a postman and wrote letters for Mrs. Brigid Finucane and with that money, he went to America to join the army and became a teacher afterwards. In the end, it was a good choice personally for him because he managed to find a better life for himself.
In conclusion, Frank McCourt learned how hard life was. He had many troubling experiences that many other kids may not have had, though he managed to make it in the end. He was the sole decision maker for his life, and whatever he chose to do with his choices factored all the outcomes. McCourt grew up to be a decent man that cared for others and learned about life through his experience.
Society And Stereotypes in Angela’s Ashes
Stereotypes in Angela’s Ashes
Francis McCourt, commonly known as simply Frank, penned a memoir known as Angela’s Ashes. The memoir is told from his point of view; as a child growing up poverty stricken in Ireland after leaving New York, where he had been born. There is lots it criticism on this memoir; the events aren’t accurate, he disgraces Limerick, and he stereotypes the Irish. While this may all be true, some people beg to differ. This memoir has earned many notable awards and reviews, though one thing can really be said about this memoir; it does stereotype. Maybe its to make the memoir more humorous to take away from the somber, sad aura that radiates from its pages of endless suffering from the McCourt family, or maybe its because the stereotypes we have placed on the Irish is true. Maybe all the men really waste dole money on the pint. Maybe the women are strong women who are constantly nagging. Maybe, indeed, the North Irish are all Protestants with odd manners that, according to the ones from the South, are Brit lovers that will be damned forever since they aren’t proper Catholics.
A major stereotype that can be seen in the novel is the one about how strong willed Irish women are. Now, I don’t see this as a bad thing. While the men go out to pubs and waste money on the pint, somebody has to take care of the children and the home. Angela Sheehan was, despite being a disgrace to her family, a strong willed woman. She wasn’t above asking for help when she needed it, unlike Malachy Sr. who would spend more time in the pubs than holding a job. She did though, at times, crumble. After losing Margaret, her psyche seemed to deteriorate, and she didn’t want to get out of bed. People were nagging at her and badmouthing her, though they had no idea what it was like to lose a child who was barely a few weeks old. Any normal person would shut down like that. That is what caused them to end up back in Ireland, where the twins, first Oliver then Eugene, both died with one dying shortly after the other; due to starvation. That also took a toll on her. Though sometimes she did cry and sometimes she did seem to regret her actions, Angela Sheehan was one of the strongest women in the book. McCourt painted her as a strong, basically single mother who did whatever she could for her family; even when she slept with her cousin. She made sacrifices just for the wellbeing of her family. Angela’s other relatives, like her mother and sister Aggie, also were strong women. The mother though, was what Frank called an “Oul’ bitch”. She wasn’t the most pleasant of women and it shows with the way her and Aggie treat Angela’s children. Angela’s cousins in Brooklyn are also seen as the stereotypes as they were rather big boned, saying that Irish women are large, burly women with fight in their heart who love to nag and march up to their husband’s jobs and take their wages themselves rather than allow them to waste it all at the pub only to come home singing about Kevin Barry and dying for Ireland and whatnot. Because, Angela did it and it was apparent she wasn’t the only wife that had to do it to control their husband wasting money, which leads to another stereotype.
Secondly, there is a stereotype here that all Irish men seem to enjoy drinking their lives away in pubs only to come home broke and singing Kevin Berry. A lot of cultures have this stereotype, but it’s predominantly an Irish stereotype; sometimes even scottish. Malachy McCourt Sr. has never has a clean slate. Chapter one of the memoir even tells that Malachy had always been into trouble and trouble always followed him. Even when they lived in Brooklyn he had a drinking problem. Alcoholism seemed to affect many Irish men and had seemed to be their downfall, as Angela’s mother even talked about how her father had a drinking problem, which resulted in how Ab Sheehan was dropped on his head and now was “soft in the head” which could easily mean he was a bit slow. According to AlcoholAction Ireland, about 88 people die in Ireland a month from alcohol related deaths. Even in the present day, Alcoholism is still a problem. Mikey Molloy, an older friend of McCourt’s who’s plagued by fits and is deemed as “The Expert on Girls’ Bodies and Dirty Things in General”, also is affected by his father’s alcoholism. His father is deemed as a champion pint drinker, which at times drives his wife Nora mad to the point where she seeks solace in an insane asylum on occasions; just to get away. It seems as if the men depicted in the novel who waste their time, energy, and money on the pint, as it is called, are aware that yes, their families are poverty stricken, but are too selfish to care. Angela blamed Malachy oftentimes for the deaths of her three children and because he was drinking up the money when he had four children at home and a wife who was starving and living in terrible conditions.
Not every Irish person in the world is as cynical as some of the characters in this memoir. McCourt sheds light on the stereotype that all Irish are cynical; blaming the English for everything and the constant bickering of the Protestants and Catholics. The Catholics have always been the big bosses in the religious world regardless, Roman Catholic was one of the first monotheistic religions in the world and is the oldest to this day. The catholics in this memoir seem to be overbearing and snooty; frowning on any little thing and being fierce disciplinarians. You must repent and confess every sin or else you will burn in hell, leading to Francis constantly running to the church to confess each time he believes he’s sinned. The South Irish people, in the memoir, seem to be devout Catholics. They pray to their Saints, attend communion, etc. But, they hate the North Irish, who are predominantly Protestant. That’s a constant argument, Protestants versus Catholics, and Malachy Sr. is constantly criticized by the people of Limerick and Angela’s family due to “his odd manner and Protestant looks”. The Irish also seem to blame everything on the English. It is true, though, that the English did little to help the Irish during the potato famine and had given the country hell for 800 long years, which is a reasonable reason to not like the English, but i’m sure not everyone hate the English. If anything, it seemed as if a lot of them envied the wealthy English as the people of Limerick weren’t as fabulously wealthy as their English counterparts. If they hated the English so much, why were the men so eager to just up and leave their families to work for England and fight for England when they all promised to fight for Ireland if they hadn’t already done just that? Hypocrites.
David Cronenburg once said that, “All stereotypes turn out to be true. This is a horrifying thing about life. All those things you fought against as a youth: you begin to realize they’re stereotypes because they are true.” I have to disagree with this. Stereotypes are true sometimes, but they are not always true, like the notion that all Irish people love fighting and drinking and that all Asians are smart and all people of Middle Eastern desent are terrorists. Not all black people like fried chicken, and not all white people are Republicans or rich. Stereotypes are found everywhere; but do not define you. Sometimes they are true; sometimes they are not.
A Cycle Of Poverty in Angela’s Ashes
Frank Mccourt’s book “Angela’s Ashes” describes a poverty stricken childhood, first in the United States and then in Ireland. Although this book is also a coming of age story, the main theme throughout it revolves around the challenges of being poor. McCourt describes various detrimental effects of poverty throughout the book, many of which actually plays into them staying poor.
The book starts out with McCourt describing his childhood. He says, “It was, of course, a miserable childhood: the happy childhood is hardly worth your wild”. Despite him throwing in some humor there, he is absolutely correct in saying that the “miserable Irish Catholic childhood” was worse than the ordinary miserable childhood. Every day of his childhood, McCourt would be reminded of how poor he was.
Frank McCourt’s father, Malachy, was an alcoholic and a deadbeat. However, being poor most likely played a large role into who he was. He would spend nearly all the money he could get his hands on at a bar, trying to drink his sorrows away. It was not the right thing to do, but it is understandable that Malachy felt depressed and turned to alcohol. The poverty most certainly made Malachy depressed, and as a result, their family would have even less money because of his drinking, plus all of the other troubles you must face when having an alcoholic father.
Another negative effect of poverty that McCourt had to face was being denied opportunities just because he was poor. Malachy wanted Frank to become a church boy, so his father taught him all the Latin he needed in order to do the job. Even though McCourt was completely qualified to do the job, when they showed up at the church to ask, they were immediately turned down with the door slammed in their face. When it becomes obvious that McCourt is a bright young man and is capable of going to secondary school, they knock on the door of the school and again have the door slammed in their face. They were turned down not because Frank wasn’t qualified, he didn’t even have the opportunity to show that he was. Nor was he turned down because there “wasn’t enough room” like the priest or the teacher said. Instead, it was because of the rags that McCourt and his father were wearing, that indicated their poverty, that made not not want to accept him.
As you can see, this kind of poverty becomes a cycle. Poverty begets more poverty, and it’s nearly impossible to escape that. Malachy was depressed from the terrible situation he was in, so he made it worse for himself and his family by wasting all of their money at the bar. Furthermore though, Frank McCourt is turned down from opportunities to escape poverty because he is in poverty! Luckily, in the end it turns out for McCourt and he leaves for America where he can finally have a full stomach and dry clothes.
The Ashes of Catholicism
Angela’s Ashes is an absorbing memoir by Frank McCourt, a book that details his early childhood in Brooklyn, New York. However, it tends to focus more on his life in Limerick, Ireland through various anecdotes concerning the author’s young life. McCourt presents the novel as a sort of coming of age story during his childhood. As McCourt himself recounts, “When I look back on my childhood I wonder how I survived at all. It was of course, a miserable childhood. . . . Worse than the ordinary miserable childhood is the miserable Irish childhood and worse yet is the miserable Irish Catholic childhood” (McCourt 11). In Angela’s Ashes, the Catholic Church plays a major role for Frank by influencing his actions, his fears, and his way of life. As becomes clear from a reader’s standpoint, Frank’s actions had been heavily influenced by the Catholic Church.
As a young man (pre-communion), Frankie found that his influences fell within what he had been taught, through confirmation specifically. However ready he may have been, he had last-minute jitters pre and post communion. As referenced in Duffy’s article on Frank McCourt and religiosity, “That book’s hilarious and irreverent chapter on Mr. McCourt’s preparation for, and eventual ill-fated reception of, First Communion set down for all history what it was like to sit before an old Irish “master,” named Mr. Benson in this case, and have very pre-Vatican II lessons pummeled (literally) into your pre-teenage brain” (Duffy 1). Whilst in America, the reach of the Church had vast differences, as the separation of Church and State had been written within the constitution. To long-time inhabitants of Ireland, the idea that Catholicism wasn’t mandatory appalled them. “There is a picture on the wall by the range of a man with long brown hair and sad eyes. He is pointing to his chest where there is a big heart with flames coming out of it. Mam tell us, That’s the Sacred Heart of Jesus, and I want to know why the man’s heart is on fire and why doesn’t He throw water on it?” (McCourt 57). This statement startled Grandma, “Don’t these children know anything about their religion? Mam tells her it’s different in America. Grandma says the Sacred Heart is everywhere and there’s no excuse for that kind of ignorance” (McCourt 57). Religion, as it had been taught to Frank, seemed authoritarian and rigid, filled thoroughly with “thou shalt not”.
While reading, one gets the impression that the learner within Frank sees traditional religion as demeaning and burdensome. He’d been taught in the ways of strict ruler-to-wrist Catholicism, “You’re not to be asking questions. There are too many people wandering the world and asking questions and that’s what has us in the state we’re in and if I find any boy in this class asking questions I won’t be responsible for what happens” (McCourt 118).Teachings of the church permeated these boy’s actions as well as influenced what their fears in daily life. Specifically for Frank, he frequented the confessional booth, to such an extent and for such minor infractions and afflictions that the father laughed at him. One of these occasions preceded Frank’s thoughts, “every time I pass the graveyard I feel the sin growing in me like an abscess and if I don’t go to confession soon I’ll be nothing but an abscess riding around on bicycle with people pointing and telling each other, there he is, Frankie McCourt, the dirty thing that sent Theresa Carmody to hell” (McCourt 329). In his experiences, his most afflicting one lied with Theresa Carmody (both literally and figuratively) where he was sure he’d set her path to hell by having sex with her. It ate at his consciousness, making his soul and morals unsteady, begging him to go to confession so God wouldn’t hate him.
A major proponent of the fears instilled in Frankie could be the teachings of the priests: for example, the lesson on masturbation. The priests blamed the weeping of the Virgin Mary on “the horror [of] Limerick boys defiling themselves, polluting themselves, interfering with themselves, abusing themselves, soiling their young bodies” (McCourt 292). The threats upon their actions had been said to inspire the devil to take them to hell, and that every time the boys “interfere with [themselves]” that they step closer and closer to hell (McCourt 292). Frank felt tormented with possibilities, many alternate visions of how hell may be, ”Doom. That’s the favorite word of every priest in Limerick” (McCourt 299) to try a few, fiery and painful with devils chasing and bearing pitchforks. Though these views seemed unlikely and ultimately pointless, they were a driving force in Frank’s Actions as a young man (McCourt 299). Frank’s life became impacted largely by the forceful nature of the Catholic religion. For example, a common idea expressed often in the days of confirmation, “You’re here to learn the catechism and do what you’re told” however this was unlike what Frank had been used to, because to have religion taught in this way had previously been heard of (McCourt 118). Different from who it should have been, the Church played the authoritarian father figure in young Frankie’s life.
When the church’s representatives taught about adultery, they tried to make the students feel bad, saying, “The Virgin Mary turns her face away and weeps” at the sight of adultery. Adultery is defined as “impure thoughts and actions” so that the students feel guilty whenever these thoughts occur. An example of this guilt that Frank feels could be after the death of Theresa Carmody, Frank feels that his actions sent Theresa to hell, and Frank tries desperately to save her soul. He attends four masses, prays at every statue, fasts, and uses rosaries in begging God to have mercy on the soul of Theresa Carmody. This guilt can be seen even clearer in Frank’s plea, “How can a priest give absolution to someone like me?” The authoritarian role of religion imposed guilt on Frank, causing him to feel doomed to hell. With all these afflictions tearing at his soul, one priest appeased him, “He tells me God forgives me and I must forgive myself, that God loves me and I must love myself for only when you love God in yourself can you love all God’s creatures” (McCourt 292). Against what he’d been used to, the church hadn’t always been a safe haven for him. Three times in his life a father denied him access to the sanctuary, and this had a profound effect on his well-being. When his father takes him to be an altar boy, Frankie gets turned away thanks to the financial state of his family. “Delia says something has to be done about Angela and those children for they are a disgrace, so they are, enough to make you ashamed to be related. A letter has to be written to Angela’s mother” (McCourt 45). Later, when Frank attempts to apply to secondary school, the door gets slammed in his face due to his appearance. Regardless of his relatively high intelligence, he gets denied any of the luxuries of a better life, thanks to how little money he had.
Frank’s life had been impacted largely by the forceful nature of the Catholic religion. Religion, understood as personified, served as a father figure and a leader in Frank’s childhood. Even though certain negative factors upset him, Frank found other aspects of faith that provided a certain safe haven and hope.
Duffy, Peter. “The Faith of Frank McCourt.” Catholic Education Resource Center. Wall Street Journal, 24 July 2009. Web. 06 Apr. 2017.
McCourt, Frank. Angela’s Ashes: A Memoir. London: Touchstone, 1996. Print.
Pellum, Tony. “Religion and “Angela’s Ashes”.” Religion and “Angela’s Ashes”. Web. 06 Apr. 2017.
“It’s Not Hard to Make Decisions When You Know What Your Values Are”
Roy Disney explains that “It’s not hard to make decisions when you know what your values are.” This is an important theme for the characters of Stephen Dedalus from James Joyce’s A Portrait of the Artist as a Young Man and of Frank McCourt from Frank McCourt’s Angela’s Ashes. The two things in life that are supposed to supply stability (parents and the church) have failed, which is why Stephen and Frank discover that only through their own self-reliance will they ever be able to experience true freedom from the forces that have bound them.
Stephen’s parents let him down by not emotionally supporting him while Frank’s parents do not physically support him. Right before Stephen leaves to go to the university, his father shouts out to his siblings, “Is your lazy bitch of a brother gone out yet?” (135). Stephen’s father shows a lack of respect for his son by calling him lazy and goes on to imply that he is not very masculine. His father belittles him in front of his family and does not even apologize for his harsh words. Stephen’s mother also disappoints him as “he had watched the faith which was fading down in his soul aging and strengthening in her eyes” (126). Stephen sees his mother choosing religion over him. His mother decides to trust the Catholic Church rather than her own son, which shows that her support is not toward Stephen. Through his parents’ lack of emotional support, Stephen must look inside himself for strength.
Frank’s parents support him emotionally, but they do not adequately provide the support he needs physically. Angela “hopes [Malachy] might bring home something from the farm, potatoes, cabbage, turnips, carrots, but he’ll never bring home anything because he’d never stoop so low as to ask a farmer for anything” (95). Frank’s father lets his pride take control of his life, even though it means his family will starve. Frank rarely gets enough food to fulfill his appetite because he father is too proud to beg for food. When Angela wants to move because of the diseases the lavatory may spread, Malachy explains, “We can’t move again. Where will we get a house for six shillings a week?” (92). Frank is unable to live in a clean home because his family cannot afford it. His family constantly moves due to their financial situation, and each home is more dilapidated than the previous. Despite the emotional support that is provided to Frank by his parents, they have great difficulty feeding and housing him.
Similar to his parents, the Catholic Church also fails Stephen by wrongly accusing him of lying about his broken glasses and fails Frank by refusing him the opportunity to be an altar boy. After Stephen states that he has been excused from schoolwork, Father Dolan says, “Out here, Dadalus. Lazy little schemer” (37). An important figure in his church doubts his honesty and verbally demeans Stephen in front of his classmates. Then Father Dolan physically punishes Stephen even when he tells the Father the truth. Stephen goes to the rector and when the rector takes Father Dolan’s side, Stephen tries to explain to the rector, “But I told him I broke them, sir, and he pandied me” (43). Even the rector does not believe Stephen and half-heartedly tells him that he will have a talk with Father Dolan regarding the situation. Stephen gives the church one more chance to prove itself to him, but the church falls short and ends up disregarding Stephen’s complaints.
Frank is wronged by the church as he is turned down the chance to be an altar boy and to continue school. Under the advice of a teacher, Frank and his father go to the church, but “Stephen Carey looks at him, then me. He says, We don’t have room for him, and closes the door” (149). When the church closes it’s doors to Frank, it makes clear that the church does not embrace people of all social classes. Even though Frank spends tireless hours memorizing Latin and reading the bible, the church officials are unable to see through his tattered clothing and dirty face. Frank goes to the church with his mother to see about continuing his education, but they turn him down yet another time. As they leave, his mother says, “That’s the second time a door was slammed in your face by the Church” (289). Frank gives the church a second chance to redeem itself to him, and once again it fails to accept him. It is only through the church that Frank has the opportunity to extend his education and they refuse to even let him speak on his own behalf. A church is generally a place to go in time of need, but for Stephen and Frank, it neglects to provide basic comfort and reassurance.
Since their lives have been altered from the betrayal by their parents and the Catholic Church, Stephen and Frank must quickly mature and become individuals. While walking beside his father in a strange town, Stephen announces, “I am Stephen Dedalus” (70). Stephen’s father is slowly losing his own identity, and because of this, Stephen must declare his name as a way to declare his own individuality. He is no longer just his father’s son, but he is his own person with independent feelings, memories, and thoughts. After a friend questions his beliefs, Stephen asserts, “I said that I had lost the faith… but not that I had lost self-respect” (188). He understands the importance of being true to himself, especially since he has lost respect for the church and his parents. Even though he has given up hope for the rest of the world, he has not given up on himself, and that enables him to grow from his trying experiences. Stephen must rely on his own beliefs and his own sense of right and wrong, which permits him to grow apart from the ties of society.
Frank also has been deceived by his family and religion and he decides to channel his frustrations into becoming a better person through his experiences. When Angela tells Frank that he is not allowed to work anymore due to health conditions, Frank exclaims, “I want the job. I want to bring home the shilling. I want to be a man” (261). Frank understands responsibility at a young age and still wants to support his family even though they have let him down. He is tired of being walked over because of his lack of money, so he works very hard to attempt to rise above poverty. Frank is also strong-willed when it comes to injustice. Frank runs away from Laman Griffin’s house because he was unfairly beat, and he tells his brother, “I’m never going back” (298). It breaks his heart when his mother chooses Laman over him, and that makes him realize that he has the option of leaving the entire situation behind him. Since his ties to his family have loosened greatly, Frank is able to separate himself from them and improve the quality of his life. Frank gains a strong work ethic and the ability to be self-reliant from the collapse of his family and his loss of faith in his religion.
Stephen and Frank realize that they must break away from the constraints that their family, church, and Ireland have put on them. No matter how hard he tries to be a part of Ireland, Stephen remarks, “Ireland is the sow that eats her farrow” (157). He recognizes that he has been unable to be the artist that he would like to be because Ireland destroys everything creative. He cannot artistically flourish in a place that does not tolerate independent thoughts and ideas. Stephen goes on to state that, “I will not serve that in which I no longer believe, whether it call itself my home, my fatherland, or my church” (191). Stephen decides that he does not need to continue to expose himself to the very things that have consistently disappointed him throughout the years. He does not have a place at home in Ireland, or even in his church, so he finally allows himself to completely abandon everything that has tied him down.
Frank identifies his family, church, and Ireland as the things preventing him from living his life the way he would like to live it. At an early age, Frank ponders, “The master says it’s a glorious thing to die for the Faith and Dad says it’s a glorious thing to die for Ireland and I wonder if there’s anyone in the world who would like us to live” (113). Frank’s purpose in life is all up to his religion and his country and neither of them want the same thing. Frank is suffocating with the expectations thrust upon him from the church, his nation, and even his family. However, Frank soon breaks away from his family and even claims, “If my whole family dropped from the hunger I wouldn’t touch this money in the post office” (333). The only ticket out of his miserable life is to save up money and move to America. Frank is finally able to put his own welfare above the expectations of his society. It is through the suppression of his individuality that forces Frank to disconnect himself from the bonds of his society.
Stephen and Frank are able to gain the courage and strength to leave Ireland and their former lives behind them due to the lack of dependability provided by their parents and the Catholic Church. From the adversity that they must overcome in their lives, Stephen and Frank are both able to achieve true freedom from the limitations that have held them down for so long.