Thomas Hardy’ Literature: Portraits of Country Life Research Paper

July 16, 2021 by Essay Writer

Updated: Apr 21st, 2020

Introduction

The life of Thomas Hardy can not be comparable to his stories. Thomas Hardy was an English poet and novel writer born in England. Hardy’s father was a master and service provider in the construction of masons. With some certain pride Hardy on one occasion said that even though his associates on no account rose higher than the level of their master who was mason, however they did not at all downcast under it. (Turner 34)

Hardy’s mother detected the talents of her son and since her taste was incorporated in Latin poets as well as French romances, she offered Thomas Hardy’s with education. After his education in Dorchester, Thomas Hardy was trained as a designer. He was employed in an agency, which focused in re-establishment of churches.

However in the year 1874 he got married to Emma Lavinia Gifford. Hardy wrote about Emma in a cluster of poems that he identified as Vestiges of an Old Flame which was 40 years later after Emma passed away. (Tomalin 78)

How Thomas Hardy’s Work Impacted His Age

At 22 years of age Hardy shifted to London were began to write down poems, and this romanticized his country life. Hardy became a subordinate in the designing firm of Arthur Blomfield and he also at the same time visited skilled galleries. Apart from that Thomas Hardy attended some evening lessons in French at the King’s College. He mostly enjoyed the work of Shakespeare although he had an immense influence from people like Charles Darwin, John Stuart Mills and Herbert Spencer when grasping their work.

In the year 1867 Hardy went back from London to Dorset where his family was. He continued his work temporarily in Dorchester with Hicks. Throughout this period his life entered into a brief commitment with Tryphena Sparks who was a beautiful and sparkling family member aged 16 years. Hardy sustained his designing occupation by getting some encouragement from Emma Lavinia Gifford and by this he began to regard literature as his right career. (Turner 123)

Before Work Impact

At first Hardy could not find the community for his poetry work but one novelist by the name George Meredith advised him to write a narrative and by this he first wrote the novel “The poor man and the lady” in 1867. However it was cast off by many publishers hence Hardy was forced to destroy the script.

Without loosing hope he went on with his work and in 1874 he produced his foremost manuscript that got noticed by many people by the name “Far from the madding crowd”. After this great achievement Hardy became confident that he can earn a living and change his life for the better by using his pen. From that time he decided to dedicate himself completely to writing and ended up producing a sequence of novels. (Hardy 89)

Thomas Hardy’s novel “Jude the obscure” stimulated yet additional controversy. The narrative sensationalized the disagreements that were sandwiched between the spiritual life and carnal tracing. In the narrative the life of Jude Fawley’s commencing from the time he was a very small boy till his premature death was exposed.

The Impact on Thomas Hardy’s Major Works and Writing Style

Hardy in the year 1896 was distressed by chaos from the community over extraordinary issues regarding two of his paramount novels “Jude the Obscure” and “Tess of the D’Urbervilles”.

However Hardy later declared that he will never write fiction in another time. One bishop despondently burnt Hardy’s book and thank God he perhaps in his anguish was not able to burn Hardy himself. Hardy’s marriage also experienced some suffering from the community’s anger and critics from both regions of the Atlantic. They ill-treated him and reduced him to nothing calling his work as filthy.

After Effects

In 1885 Hardy decided to go and stay at Max Gate in the neighborhood of Dorchester. He occupied a house that was built by Henry his own brother although he had some exceptions of regular residing in London and some occasional expeditions overseas, Hardy’s Bockhampton home, was modest and give all he needed for adjustment and indeed it was his habitat for the rest of his existence.

Once he stopped from novel work, Hardy took out his foremost collection of Wessex poems although some of them were already composed. For the remaining period of his life, Hardy went on to publishing numerous collections of poems. He became a model poet of his generation and hence the most obsessive and educated of all.

Hardy looked extraordinary in his poems and he was capable to achieve high level of skills in poetry. He devoted the finale years of his existence to his favorite verses. His massive scenery of Napoleonic wars and the dynasts that was composed at around 1903 to 1908 was typically in blank verse. (Gregory 67)

Thomas Hardy in 1909 succeeded on the passing away of his buddy George Meredith to the administration of the general public of authors. His Order of Merit was awarded to him by King George V and in 1912 he was honored with a gold medal of Literature in the Royal Society.

Hardy however reserved to his unfruitful marriage amid Emma Gifford even though it was miserable. He also never anticipated having any relationships with other women that short-lived temporarily in the course of his life. Unfortunately Emma Hardy passed on in 1912 and this made Hardy to marry his secretary Florence Emily Dugdale in 1914. She was about 30 years of age and roughly 40 years younger than Hardy. (Randall 143)

Hardy was still determined on his life history which he was camouflaged as the effort of Florence Hardy. Unfortunately in 1928 he passed away while in Dorchester. His body was washed by Eva Dugtale and arranged for his funeral. His remains were cremated and buried in Dorchester with extraordinary rituals in the versifier’s place.

According to a mythical tale his spirit was to be masked in his birthplace which was Stinsford and all was done as planned, until a cat that belonged to Hardy’s sister snatched the spirit from the kitchen where it was for the time being kept and vanished into the forest with it.

Thomas Hardy courageously was a man whom we can say that he gave a great challenge to several religious and sexual gatherings during the Victorian age. (Hynes 96) The core part of his novels was to a certain extent deserted and history freighted his motherland in the region of Dorchester.

About the beginning of 1860s, Thomas Hardy’s belief was still not traumatized however he almost immediately adopted the obligatory determinist observation of life’s brutality as reflected in the unavoidably disastrous and self critical fortunes of his moral fiber. (Kramer 175)

Conclusion

Last but not least in his poems Thomas Hardy portrayed country life with no sloppiness. His frame of mind was frequently stoically doomed to failure and most people still read him to date as an inspired pastoralist. It may perhaps be a signal of the times to many people that even today a number of people still get his manuscripts when they go to sleep as if an unenthusiastic visualization is the one that can enable them to have a deep sleep.

For sure some people can give challenges by no means to realize that disappointment may possibly be bigger than accomplishments. May be yes but we can not also forget that to have the power to revolve a stone with a lot of weight to the peak of a mountain is an accomplishment but then to roll the same stone only halfway up the same mountain can as well be taken as a disappointment.

Works Cited

Gregory, Ian. The great web. Michigan: Rowman and Littlefield, 1974. Print.

Hardy, Thomas. Times Laughingstocks and Other Verses. England: Biblio Life, 2009. Print.

Hynes, Samuel. Selected Poetry. England: Oxford University Press, 1999. Print.

Kramer, Dale. Critical approaches to the fiction of Thomas Hardy. Michigan: Macmillan, 1979. Print.

Randall, Williams. The Wessex novels of Thomas Hardy. England: J.M. Dent, 2007. Print.

Tomalin, Claire. Thomas Hardy. New York: Penguin Press, 2007. Print.

Turner, Paul. The life of Thomas Hardy. 9th ed. England: Wiley-Blackwell, 2001. Print.




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