The Construction of Don Pedro’s Character as a Leading Figure
Don Pedro is a very important character within Much Ado About Nothing by William Shakespeare, both within his own right and in terms of how he draws Shakespeare’s other characters together. Often referred to as “the Prince” from Aragon (“No Fear”), Don Pedro seems intelligent, encouraging, understanding, but also very gullible. He is the most social and political character in the play that works as a link between the other characters. There are a few facts that support Don Pedro as a very significant character in the story: his relationship with other characters in the play, his personal characteristics, and how he works as a tool of the author to deliver the main themes of the play.
Don Pedro works as a connection between all the characters that appear in the play. The story actually starts with Don Pedro bringing his soldiers that fought under him during the war to his old friend Leonato, who is Hero’s father and Beatrice’s uncle. As people get together, the story starts to take shape. Claudio falls in love with Hero; Don Pedro and Benedict help Claudio get to Hero. Later on, Don Pedro also plans to make Beatrice and Benedict fall in love with each other, which eventually brings all the characters together to work on a common goal. Even the antagonist, John, Don Pedro’s stepbrother, is included in the story as, who is eager to break the peace and take Don Pedro’s place. Don Pedro is the main link between the main characters of the drama. If it were not him, the main events would not have taken place.
Don Pedro is a leading figure in the play. He is a very generous, courteous, and intelligent man, but he lacks a little bit of a sturdiness to prevent himself from falling into evil. In the film version of the drama, he appears to be taller than other main characters, and he always stands in the middle of Claudio and Benedick, clearly showing that he is the leader of the group (Branagh). There are a few cases in the drama that shows his characteristics. First of all, he leads Claudio to the marriage to Hero. He tells Claudio:
They’re going to have a costume party with dancing tonight. I’ll disguise myself as you and pour out “my” feelings to Hero, taking her prisoner with the force of my love story. Then I’ll talk to her father. And in the end, she’s yours! Let’s get started right away (“No Fear”).
He also plans to help Beatrice and Benedict fall in love with one another. He says to Claudio:
Come, you shake the head at so long a breathing, but I warrant thee, Claudio, the time shall not go dully by us. I will in the interim undertake one of Hercules’ labors, which is to bring Signor Benedick and the Lady Beatrice into a mountain of affection, th’ one with th’ other. I would fain have it a match, and I doubt not but to fashion it, if you three will but minister such assistance as I shall give you direction (“No Fear”).
Don Pedro not only takes the leadership position, but also plays an important role for the author.
Don Pedro also works as the playwright’s tool to implicate the main theme of the drama. The author tries to deliver to the audience the fragility and instability of a human being through showing Don Pedro who is so quick to fall into the evil of John. John, Don Pedro’s stepbrother, plans to deceive Don Pedro and Claudio by showing them Margaret and one of his soldiers having sex. Not knowing that it is not Hero but Margaret, her maid, that is with another man, the two men decides to revenge Hero. By reading this portion of the play, the audience can realize how quick a human is to believe in something that is so evil, even Don Pedro, the man of knowledge and leading.
“The Prince, Don Pedro is a notable character in the drama, Much Ado About Nothing (“No Fear”). Most significantly, his role links the main characters. He also has enough traits of a leader, and therefore takes a leadership position in the story. He literally leads the story by planning major events. Last, but not least, Shakespeare uses this character as a means to deliver a message to the audience. By showing Don Pedro fall into John’s trickery, the playwright implies that all human beings are the same, big or small, they are susceptible to be deceived by evil.
Branagh, Kenneth, director. Much Ado About Nothing. Renaissance Films, 1993.
“No Fear Shakespeare: Much Ado About Nothing.” No Fear Shakespeare, SparkNotes, 2017, nfs.sparknotes.com/muchado/page_2.html.
Years before he became the greatest living writer of comedy, Shaw was an ardent social reformer. “My conscience”, he once wrote, “is the genuine pulpit article; it annoys me to […]
In comparing the Edwardian era – that is, the early 20th century – to the modern age, we can see that some distinct social constructs and class systems are present […]
Summary of Pygmalion On a summer season night in London’s Covent backyard, a gaggle of assorted persons are gathered collectively under the portico of St. Paul’s Church for security from […]
The societal aspects of their writing made Dickens and Shaw two of the most influential figures of revolutionary and socio-political writing. William Blake, however, was also significant, especially through his […]
In Bernard Shaw’s Pygmalion, Shaw attacks the relations between Victorian era classes by exposing their wretched treatment of the lower class, as seen in the flower girl, by the higher […]
Comparing Pygmalion to My Fair Lady Numerous times a piece of literature is changed into a movie or musical it s plot and or theme has been changed to suit […]
Is an element of comedy in the sThere tory Pygmalion and in the film My Fair Lady. In the play and the film alike, a woman of the streets named […]
Pygmalion and Galatea Allusion Pygmalion did not like women, and blamed them for everything. So, instead of finding a real wife, he decided to make himself one. Pygmalion carved out […]
Pygmalion and Galatea as portrayed in the movie Mannequin The movie Mannequin was directed by Michael Gottlieb and was released in 1987. The movie follows the love story of an […]
Don Pedro is a very important character within Much Ado About Nothing by William Shakespeare, both within his own right and in terms of how he draws Shakespeare’s other characters […]