Major Theme in Romeo and Juliet
William Shakespeare uses various events and characters like Romeo and Juliet, efficiently to convey that love conquers everyone. Throughout the play Shakespeare effectively shows how the love of Romeo and Juliet overcomes many things in the play. Romeo and Juliet risk their families’ reputation and even their lives, for love which causes the conflict in the play. This ultimately does cause the death of the two lovers but brings the families together in the end. This story shows how love triumphs over the terror of death.
Romeo and Juliet are driven to love each other even though their families hate each other. This creates conflict and multiple deaths in the play. After the party in Act 1, Romeo goes to Juliet’s house to see her again later being warned that “If they do see thee they will murder thee. (2.2.70), but Romeo states “And but thou love me, let them find me here. My life were better ended by their hate…Than death proroguèd, wanting of thy love…” (2.2.69) Romeo feels so much love for Juliet that he is willing to die for her and he even says that if Juliet doesn’t love him back that he should die because his life would be meaningless. The topics of death and brutality tie in with Romeo and Juliet, and they are constantly associated with enthusiasm, regardless of whether that energy is love or despise. The association between abhor, viciousness, and passing appears glaringly evident.
Love is the major theme in Romeo and Juliet, but a theme that is tied in with love is hate; emotion can overwhelmed someone and essentially blind a person from their actions. An example of this would be when Tybalt wants to kill Romeo in Act 1 because he was looking at Juliet. He describes Romeo as a “Slave… Come hither, covered with an antic face, to fleer and scorn at our solemnity?” (1.5.54) He tells his slave to bring him his sword to kill Romeo but Lord Capulet refuses for Tybalt to kill Romeo stating “Verona brags of him”(1.5.67) Lord Capulet is basically telling Tybalt to calm down and control himself because he’s letting his emotions control him. Tybalt dies later and kills Mercutio which was foreshadowed in the end of Act 1 because of his immaturity.
The incredible idea of affection can be found in the way it is portrayed, or, all the more precisely, the path depictions of it so reliably neglect to catch its sum. Now and again love is portrayed in the terms of religion, as in the fourteen lines when Romeo and Juliet initially meet. At others it is depicted as a kind of enchantment: “Alike bewitchèd by the charm of looks” (2.Prologue.6). Juliet, maybe, most superbly depicts her adoration for Romeo by declining to portray it: “But my true love is grown to such excess / I cannot sum up some of half my wealth” (3.1.33– 34). Love, as it were, opposes any single similitude since it is too incredible to be so effectively contained or comprehended.
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