Jealousy Throughout Shakespeare’s Literature Works
Jealousy, commonly described as “the green-eyed monster” is a consistent theme throughout Shakespeare’s literature. It is, more often than not, the fuel that drives the plot, the tragic hero’s flaw, and the main motivation for the story’s antagonist. It is the universal theme of jealousy that sets the mood for most of Shakspeare’s plays, including Othello. The obvious antagonist of the play, Iago makes it clear to the audience how deep his hatred towards Othello runs. When the play opens, we see Iago scheming to ruin Othello’s life in any way he can when Othello has done nothing to him. His motives behind all the evil he does stems from his jealousy, which leads him to plan an elaborate scheme to get revenge on those whom he believes wronged him, ruin Othello’s and Cassio’s reputation, and erase every relationship he once had.
Jealousy is one of the most corrupting emotions and can lead an individual down a very dark path in which recovery becomes almost nonexistent. When others have something we want, we become envious of what they have, and per human nature, we psychologically enter a state of mind to hate that person when they have nothing directly to us. At the beginning of the play through Iago’s conversation with Roderigo, it becomes evident how determined Iago is to get revenge on Othello and Cassio for not being chosen as a lieutenant. “I know my price, I am worth no worse a place.” (1.1.12). We see Iago’s passion and self-reassurance and how he genuinely believes he deserves to be Othello’s, right-hand man. Iago knows that he is more qualified than Cassio, who lacks his experience. Othello appointing Cassio as lieutenant was the fuel for the fire, and Iago’s jealousy was the spark that ignited it. Iago’s position in this scenario is very relatable in today’s society which is a big reason why Shakespeare’s literature is still relevant. When you work hard on something and stay up all night to put those finishing touches on a project while your friend does it last minute and gets a higher mark than you, feelings of jealousy take over you and, unconsciously, you begin to resent that person because of their success. Iago’s villainous traits ultimately get the best of him when he goes overboard with his plan for vengeance. Dramatic irony plays a large role in many of Shakspeare’s literature and evidently a large one in Othello. “Who, trimmed in forms and visages of duty, Keep yet their hearts attending on themselves” (1.1.52-53). In this quote, we are shown how cunning and evil Iago is and to what extent he would go to get his revenge. He would pretend that everything is fine in front of Othello and Cassio, but behind their backs, he was plotting their downfalls. He is a very good manipulator because he knew how to make other characters believe that he was an honest man, and by doing that he took advantage of their trust. He has the skills to manipulate others by exploiting their weaknesses.
In sixteenth-century Venice and today’s society power is accompanied by a high status. With a high status comes the ability to control others and a strong reputation that requires maintenance to maintain. Iago in the play has no power whereas Othello and Cassio do. Since Iago believes that he deserves to be lieutenant, he thinks that the power was stripped from him and as a result, he comes up with a plan to ruin Othello and Cassio’s reputation making him seem better than theirs. He is extremely clever and uses other people such as Roderigo as his scapegoat to do his dirty work while his hands stay clean. He never directly involves himself in the downfall of the characters, he only instigates them. The most obvious example of this was the fight between Cassio and Montano. Iago cunningly convinces Cassio to get drunk while on duty which leads to Cassio stabbing Montano. Through this scene, we see to what extent Iago is willing to go to, achieve his goal while remaining “the good guy”. In act 2, Iago says, “I had rather have this tongue cut from my mouth Than it should do offense to Michael Cassio.” (2.3.184-185). Iago makes himself appear to be loyal to Cassio to deter any suspicions of him framing him. After the fight, Othello fires Cassio according to Iago’s plan. Cassio’s reputation has drastically fallen and Iago’s now seems much better in comparison. Iago’s manipulative skills of playing on an individual’s weakness come into play when he begins to make Othello jealous. Jealousy is Othello’s tragic flaw and with this knowledge, Iago began to plant seeds of doubt about Desdemona’s fidelity in Othello’s mind. “…Receive it from me. I speak not yet of proof. Look to your wife, observe her well with Cassio.” (3.3.201-202). While Othello is mad at Cassio for what he did to Montano, Iago is amplifying those feelings by lying and saying that Cassio is having an affair with his wife. Iago is exploiting Othello’s weakness for his own personal gain because he knows that Othello will let his house get the best of him and he will do something that will ruin his reputation.
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Jealousy, commonly described as “the green-eyed monster” is a consistent theme throughout Shakespeare’s literature. It is, more often than not, the fuel that drives the plot, the tragic hero’s flaw, […]