Analysis of The Book The Road

March 18, 2021 by Essay Writer

The Road First review Clearly this book struck a chord with me due to the two protagonists and their predicament, a father and his young son struggling in a post-apocalyptic world. To say I could identify with their interactions would be a huge understatement. McCarthy absolutely nails their dialog, making me marvel at how well he has mastered presenting on a page the way we communicate. The young son was especially well done and was most certainly the most complicated character in the book. McCarthy presents him as a sort of supernatural being, of only the best sort, full of goodness, a thing not of the world in which he finds himself. He is effortlessly drawn down the path of the righteous throughout the book, as if he is God’s right hand man. The reward appears, at least superficially, to be key moments of luck. Paraphrased Precisely this book evoked genuine emotion with me because of the two stars in the book, the dad and his child battling in a Apocalyptic world. To state that I could relate to their adventures throughout the books there ups and downs it would be a big mistake. McCarthy totally nails their lines, making me how he did such a good job presenting his ideas on paper.

The young boy was particularly well done and was assuredly the most perplex character in the book. McCarthy presents him as a mythical character some sort of a loaded with goodness, a thing not of the world in which he gets himself. He is easily drawn down to the path of truth in which he does picks only the truth as he was God’s right man. The Road second review The language is remarkable. I was reminded of Thomas Hardy for beauty of language, but it is a different sort of beauty. McCarthy uses short declaratives, as if even language was short of breath in the devastation, and terrorizes generations of elementary school english teachers by tossing off verbless phrases as sentences. He is effective in turning nouns into verbs, as on p4 – “when it was light enough to use the binoculars he glassed the valley below.”Forgetting the content of the narrative this is a masterwork of style. I was deeply moved by not only the technical skill with which he molds language to his purpose, but the effective emotional impact of the work.This is a book to read slowly, to savor, not one to speed through to hasten ingestion of the plot.There are events that are exceedingly grim in this, focusing on despair, suicide, cannibalism. Yet the love of the father for his son is palpable and despite the omnipresent gray ash, there remain slivers of hope. Highly recommended, but this is not a book for those with a weak stomach.

Paraphrased The language is amazing. I was helped to remember Thomas Hardy for magnificence of language, however it is an alternate kind of excellence. McCarthy utilizes short declaratives, as though even language was shy of breath in the obliteration, and threatens ages of grade school english educators by hurling off verbless expressions as sentences.He is compelling in transforming things into action words, as on p4 – ‘when it was light enough to utilize the binoculars he glassed the valley beneath.’Forgetting the substance of the account this is a masterwork of style. I was profoundly moved by not just the specialized expertise with which he shape language to his motivation, however the successful enthusiastic effect of the work. This is a book to peruse gradually, to enjoy, not one to speed through to rush ingestion of the plot. There are occasions that are exceedingly troubling in this, concentrating on despondency, suicide, human flesh consumption. However the adoration for the dad for his child is unmistakable and regardless of the inescapable dim fiery remains, there remain bits of expectation. Profoundly prescribed, yet this isn’t a book for those with a frail stomach

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