The final glimpse given to the audience of the character Carolyn Burnham in Sam Mendes’ 1999 film, American Beauty, is a point-of-view shot taken from her husband’s perspective on a fast spinning carnival ride. Carolyn is thrilled and bursting with passionate joy; perfectly in focus while the world around the two lovers appears as a … Read moreSweet Release: The Redemption of Carolyn Burnham
Sam Mendes’ American Beauty (1999) is a good example of melodrama’s presence within the modern American film industry. Its moments of comedy and tragedy are a result of its essential melodramatic intentions. However, it differs from classical melodrama in the sense that the idea of maintaining a nuclear family is not an important theme. The … Read moreAmerican Beauty as Melodrama
The mimetic theory, originated by Rene Girard, is based upon the observational tendency of human individuals to subconsciously imitate others and the extension of this mimesis to the realm of desire. This mimetic theory is portrayed throughout both Nabokov’s ‘Lolita’ and Mendes’ ‘American Beauty’ and places emphasis on the roles of the triangular relationship, otherwise … Read moreHow does Mendes’ ‘American Beauty’ manifest the representation of mimetic desire in Nabokov’s ‘Lolita’?
In everything we do, we seek to find happiness and meaning. While they aren’t necessarily what we always find, we strive to find it even if it’s the smallest shred of it. That couldn’t be farther from the truth in the gripping film American Beauty directed by Sam Mendes. The story is about Lester Burnham … Read moreAmerican Beauty: The Troubled Pursuit of Happiness and Self-Worth